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Signed and numbered by the artist // Ohne Titel (Red Squares) by Günther Förg is a limited-edition lithograph created in 2004. Signed and numbered by the artist, this work showcases Förg's signature abstract expressionist style, with broad, painterly strokes that give the piece a tactile quality. Dominated by deep, warm reds with subtle variations, the composition is divided by a bold black line that interrupts the color fields, creating a distinct contrast between textured blocks of red and pink hues. Förg’s minimalist approach emphasizes form and color, inviting viewers to focus on the spatial relationships and surface texture. His work often reflects an exploration of architectural elements, and here, the interplay of color and structure conveys a contemplative depth.
Ohne Titel (red squares), 2004
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80 x 60 cm
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Details
Artist
Styles
Signed and numbered by the artist // Ohne Titel (Red Squares) by Günther Förg is a limited-edition lithograph created in 2004. Signed and numbered by the artist, this work showcases Förg's signature abstract expressionist style, with broad, painterly strokes that give the piece a tactile quality. Dominated by deep, warm reds with subtle variations, the composition is divided by a bold black line that interrupts the color fields, creating a distinct contrast between textured blocks of red and pink hues. Förg’s minimalist approach emphasizes form and color, inviting viewers to focus on the spatial relationships and surface texture. His work often reflects an exploration of architectural elements, and here, the interplay of color and structure conveys a contemplative depth.
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Limited Edition Print
Mixed Media
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What is Neo-Geo?
Known as Neo-Geo for short, this movement uses geometric objects and shapes to create abstract artwork as a metaphor for society. Inspired by various 20th-century art styles, including minimalism and pop art, Neo-Geo emerged in the 1980s as a response to the industrialization and commercialization of the modern world. The movement reflects on the impact of mass production, consumerism, and technology, often critiquing the superficiality of contemporary culture through its abstract, geometric compositions.
