Tempera on copper on panel. 40.3 x 29.5 x 2.3 cm. Signed and numbered on edition label verso. Numbered - The edition was published on the occasion of the exhibition "Günther Förg. To the builders"
Mr. Orange by Günther Förg, created in 2002, is a mixed media piece featuring tempera on copper mounted on an orange panel. The composition displays three elongated, organic forms in a soft, metallic copper tone, standing out against the vibrant orange background. The forms, resembling abstract brushstrokes, have a sculptural quality that interacts dynamically with light, resulting in subtle shifts in color and shadow. Förg's minimalist approach draws attention to the contrast between the warm orange and the smooth coppery textures, inviting contemplation on the interaction between color, material, and form. This work embodies Förg’s exploration of abstraction and simplicity, using minimal elements to create a visually compelling piece.
Günther Förg (Germany, 1952–2013) was a multidisciplinary artist associated with modernism and abstraction. Known for his bold use of color, minimalist compositions, and architectural photography, his work explored materiality and space, bridging painting, sculpture, and photography.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Size
Inches
Centimeters
40.3 X 29.5 X 2.3 cm
Edition
Edition of 30 + 5AP
Price
4,500 – 7,000 EUR
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●Inventory 5586
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Tempera on copper on panel. 40.3 x 29.5 x 2.3 cm. Signed and numbered on edition label verso. Numbered - The edition was published on the occasion of the exhibition "Günther Förg. To the builders"
Mr. Orange by Günther Förg, created in 2002, is a mixed media piece featuring tempera on copper mounted on an orange panel. The composition displays three elongated, organic forms in a soft, metallic copper tone, standing out against the vibrant orange background. The forms, resembling abstract brushstrokes, have a sculptural quality that interacts dynamically with light, resulting in subtle shifts in color and shadow. Förg's minimalist approach draws attention to the contrast between the warm orange and the smooth coppery textures, inviting contemplation on the interaction between color, material, and form. This work embodies Förg’s exploration of abstraction and simplicity, using minimal elements to create a visually compelling piece.
Günther Förg (Germany, 1952–2013) was a multidisciplinary artist associated with modernism and abstraction. Known for his bold use of color, minimalist compositions, and architectural photography, his work explored materiality and space, bridging painting, sculpture, and photography.
Highly recognised for his multi-faceted approach to art, Günther Förg has created work through the mediums of sculpture, painting, photography and printmaking and often combines these mediums to reach his final output. Förg has worked with a number of materials throughout his career; Alubilder is a series of work for which he had painted portrait photographs and linear patters on to sheets of aluminium; Förg also created a series of Lead Paintings - for this work, he wrapped lead sheets around wood and painted each individual surface with acrylic. Förg also received acclaim for his photography – between 1980 and 2006, he traveled the world and captured various architectural sites which were then printed on a large scale; the sites were often politically symbolical – Bauhaus structures in Jerusalem and Tel Aviv are just a few among the many sites he photographed.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.