Housed inside a cardboard portfolio.
Hand-signed and numbered recto.
Francis Alÿs’ Untitled (documenta 13) (2012) is a color photograph produced for documenta 13, the major contemporary art exhibition in Kassel. The image presents an intimate close-up of a nursing animal, focusing on texture, proximity, and bodily connection rather than narrative context. Cropped tightly, the composition transforms a familiar natural scene into an almost abstract study of warmth, dependency, and vulnerability. Alÿs often uses understated imagery to evoke broader emotional or social associations, allowing simple observations to carry poetic weight. The photograph’s modest scale and editioned presentation within a portfolio format reinforce its quiet, contemplative character while emphasizing themes of care, survival, and intimacy.
Francis Alÿs (Belgium, 1959) is a conceptual artist based in Mexico City, known for poetic, interdisciplinary works blending performance, video, painting, and drawing. His projects often explore urban dynamics, geopolitical tensions, and the ephemeral nature of everyday life. Iconic works like Paradox of Praxis 1 reflect his profound engagement with labor and futility in modern existence.
PhotographA photograph is an image captured with a camera. Traditionally, photographs were made by exposing film and then developing the image on light-sensitive paper using chemicals. Today, photographs can also be captured digitally and printed or displayed electronically. The process requires a camera, whether film or digital, and a photographer.
Housed inside a cardboard portfolio.
Hand-signed and numbered recto.
Francis Alÿs’ Untitled (documenta 13) (2012) is a color photograph produced for documenta 13, the major contemporary art exhibition in Kassel. The image presents an intimate close-up of a nursing animal, focusing on texture, proximity, and bodily connection rather than narrative context. Cropped tightly, the composition transforms a familiar natural scene into an almost abstract study of warmth, dependency, and vulnerability. Alÿs often uses understated imagery to evoke broader emotional or social associations, allowing simple observations to carry poetic weight. The photograph’s modest scale and editioned presentation within a portfolio format reinforce its quiet, contemplative character while emphasizing themes of care, survival, and intimacy.
Francis Alÿs (Belgium, 1959) is a conceptual artist based in Mexico City, known for poetic, interdisciplinary works blending performance, video, painting, and drawing. His projects often explore urban dynamics, geopolitical tensions, and the ephemeral nature of everyday life. Iconic works like Paradox of Praxis 1 reflect his profound engagement with labor and futility in modern existence.
I have no problem twisting the facts if it's the only way I can be true to the moment.
- Francis Alÿs
Francis Alÿs (b. 1959 Belgium) is a conceptual artist known for his interventions and performative actions that blur the boundaries between art and everyday life. Working across a range of mediums including painting, video, and installation, Alÿs often engages with themes of politics, urbanization, and social phenomena. His works are frequently site-specific, with notable projects set in locations such as Mexico City, where he has resided for much of his career. Influenced by Surrealism and the Situationist International, Alÿs's art is characterized by a poetic sensibility and a critical approach to contemporary issues. His interventions, such as "The Green Line" in Jerusalem or "When Faith Moves Mountains" in Lima, question the absurdity of political and social boundaries. Alÿs’s practice reveals the complexities of daily life, inviting viewers to reflect on the nuances of human experience. (Artist website)
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.