Sam Francis

Untitled, 1984

106.7 X 73 inch

What is video art?

What is video art?

Video art is an art form that uses video and audio data, primarily featuring moving images. It emerged in the late 1960s and early 1970s with the advent of new technology and consumer video equipment that became accessible beyond corporate broadcasting. Video art can take many forms, including broadcast recordings, installations in museums or galleries, online streamed works, videotapes, and performances incorporating video monitors, television sets, or projections that display live or recorded sounds and images.

Julian Opie

View From My Hotel Room, 2008

Sculpture / Object

Video art

USD 3,970

Julian Opie

View from my bedroom window, 2007

Digital Art

Video art

Currently Not Available

Gary Hill

Commentary , 1980

Digital Art

Video art

EUR 3,000

Gary Hill

Figuring Grounds, 1985

Digital Art

Video art

EUR 900

1
Kinetic art

Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.

Young British Artists (YBAs)

Young British Artists (YBAs), also known as Britart or Brit artists, refers to a group of artists who began exhibiting together in London in 1988. Most of them graduated from the BA Fine Arts course at Goldsmiths in the late 1980s. The YBAs are known for their wild lifestyles, use of unconventional materials, and a combination of entrepreneurial and oppositional attitudes. They dominated the British art scene in the 1990s and gained significant media attention. Many of these artists were initially supported and collected by Charles Saatchi, a key figure in their rise to prominence.

Massurrealism

Massurrealism is a portmanteau word coined by American artist James Seehafer in 1992. He observed a trend among postmodern artists who blended themes and aesthetic styles with mass media, including elements of pop art. Massurrealism is a development of surrealism that emphasizes the technological effects on the imagery of contemporary surrealism. The key difference between massurrealism and surrealism is that the latter was founded in Europe at the beginning of the 20th century, while massurrealism is rooted in the influence of modern technology and media.

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