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Silk-screen on paper - Editor: Comune di Ferrara, Ferrara // Manifesto per la mostra Enrico Baj, Palazzo dei Diamanti, Ferrara is a 1977 silkscreen print by Enrico Baj, designed as a promotional poster for his exhibition at the Palazzo dei Diamanti in Ferrara. The artwork features a bold, cartoonish portrait in white lines against a stark black background, framed by green borders. The figure depicted, with wide eyes and exaggerated expressions, wears military-like attire adorned with medals, characteristic of Baj’s satirical approach to authority and power. The simplicity of the design emphasizes a sense of parody, reflecting Baj's critical stance on social and political structures. This edition was published by the Comune di Ferrara, demonstrating Baj's distinctive, provocative style.
Manifesto per la mostra Enrico Baj, Palazzo dei Diamanti, Ferrara, 1977
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99 x 69 cm
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Details
Artist
Styles
Silk-screen on paper - Editor: Comune di Ferrara, Ferrara // Manifesto per la mostra Enrico Baj, Palazzo dei Diamanti, Ferrara is a 1977 silkscreen print by Enrico Baj, designed as a promotional poster for his exhibition at the Palazzo dei Diamanti in Ferrara. The artwork features a bold, cartoonish portrait in white lines against a stark black background, framed by green borders. The figure depicted, with wide eyes and exaggerated expressions, wears military-like attire adorned with medals, characteristic of Baj’s satirical approach to authority and power. The simplicity of the design emphasizes a sense of parody, reflecting Baj's critical stance on social and political structures. This edition was published by the Comune di Ferrara, demonstrating Baj's distinctive, provocative style.
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Enrico Baj
Catherine Henriette De Balzac D’Etrague Marquise De Verneuil, 1978
Sculpture / Object
Mixed Media
EUR 9,500
Enrico Baj
Manifesto Per La Mostra Enrico Baj, Palazzo Dei Diamanti, Ferrara, 1977
Limited Edition Print
Silkscreen
EUR 1,500
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.