Details
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Engraving, etching and collage on paper - Printer: Giancarlo Pozzi, Castellanza // Diavolone by Enrico Baj, created in 1973, is a limited edition print combining engraving, etching, and collage techniques on paper. The composition showcases Baj's affinity for blending different media, creating a whimsical yet provocative visual experience. Dominated by a large, floral-like structure adorned with brand labels and intricate patterns, the piece stands against a neutral background. The collage elements feature playful and ironic motifs, reflecting Baj’s critique of consumer culture and society’s obsessions. Printed by Giancarlo Pozzi in Castellanza, this work exemplifies Baj’s mastery of merging texture, color, and symbolism, making it both visually striking and conceptually rich.
Diavolone, 1973
form
Medium
Size
60 x 50 cm
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- USD
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- GBP
Details
Artist
Styles
Engraving, etching and collage on paper - Printer: Giancarlo Pozzi, Castellanza // Diavolone by Enrico Baj, created in 1973, is a limited edition print combining engraving, etching, and collage techniques on paper. The composition showcases Baj's affinity for blending different media, creating a whimsical yet provocative visual experience. Dominated by a large, floral-like structure adorned with brand labels and intricate patterns, the piece stands against a neutral background. The collage elements feature playful and ironic motifs, reflecting Baj’s critique of consumer culture and society’s obsessions. Printed by Giancarlo Pozzi in Castellanza, this work exemplifies Baj’s mastery of merging texture, color, and symbolism, making it both visually striking and conceptually rich.
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Enrico Baj
Catherine Henriette De Balzac D’Etrague Marquise De Verneuil, 1978
Sculpture / Object
Mixed Media
EUR 9,500
Enrico Baj
Manifesto Per La Mostra Enrico Baj, Palazzo Dei Diamanti, Ferrara, 1977
Limited Edition Print
Silkscreen
EUR 1,500
What is Art Nucleare?
Arte Nucleare was the name of an artist group founded in Milan in 1951. The group aimed to create art that responded to the dangers and technologies of the nuclear age. Their works often utilized automatic techniques and depicted devastated landscapes and mushroom clouds, reflecting the anxieties of a world on the brink of nuclear catastrophe.
