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Original aquatint on wove paper - Hand-signed and numbered in pencil - Literature: Schellmann 94 // Untitled (Schellmann 94) by Donald Judd, created in 1978-79, is a limited edition aquatint on wove paper. The print features a series of bold, parallel black lines arranged in a geometric formation, slightly tilted to one side, creating a sense of movement and depth. Judd’s minimalist approach, characterized by clean lines and stark contrasts, emphasizes form and structure. The black lines are meticulously placed to interact with the negative space, making the composition both simple and striking. This hand-signed and numbered piece, part of an edition of 175 with 15 artist proofs, exemplifies Judd’s dedication to minimalism and his exploration of space and geometry in printmaking.
Untitled (Schellmann 94), 1978-79
form
Medium
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101.2 x 74.4 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
Original aquatint on wove paper - Hand-signed and numbered in pencil - Literature: Schellmann 94 // Untitled (Schellmann 94) by Donald Judd, created in 1978-79, is a limited edition aquatint on wove paper. The print features a series of bold, parallel black lines arranged in a geometric formation, slightly tilted to one side, creating a sense of movement and depth. Judd’s minimalist approach, characterized by clean lines and stark contrasts, emphasizes form and structure. The black lines are meticulously placed to interact with the negative space, making the composition both simple and striking. This hand-signed and numbered piece, part of an edition of 175 with 15 artist proofs, exemplifies Judd’s dedication to minimalism and his exploration of space and geometry in printmaking.
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Donald Judd
A Group Of 4 Aquatints 1, 1978-79
Limited Edition Print
Aquatint
Currently Not Available
What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
