Sam Francis

Untitled, 1984

106.7 X 73 inch

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N’importe qui peut avoir une idée

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Es difícil amar

Ben VAUTIER | De qué tienes miedo? | Screen-print, 2006 — available on Composition Gallery

White handwritten script spills across a stark black ground, posing the disarmingly simple question: 'What are you afraid of?' With the directness that has defined his practice since the 1960s Fluxus movement, Ben Vautier transforms text into a confrontational artwork that demands the viewer's personal engagement. The casual, intimate cursive belies the existential weight of the question. Part of a 2006 trio of Spanish-language screenprints, this work demonstrates Ben's enduring ability to collapse the distance between art object and lived experience with a single phrase.

Artwork Copyright © Ben Vautier

De qué tienes miedo?, 2006

form

Medium

Edition

White handwritten script spills across a stark black ground, posing the disarmingly simple question: 'What are you afraid of?' With the directness that has defined his practice since the 1960s Fluxus movement, Ben Vautier transforms text into a confrontational artwork that demands the viewer's personal engagement. The casual, intimate cursive belies the existential weight of the question. Part of a 2006 trio of Spanish-language screenprints, this work demonstrates Ben's enduring ability to collapse the distance between art object and lived experience with a single phrase.

Artwork Copyright © Ben Vautier

Ben Vautier

De Qué Tienes Miedo?, 2006

Limited Edition Print

Screen-print

EUR 2,500

Ben Vautier

Es Difícil Amar, 2006

Limited Edition Print

Screen-print

EUR 2,500

Ben Vautier

Estoy Inquieto, 2006

Limited Edition Print

Screen-print

EUR 2,500

Ben Vautier

Tout Est Survie , 1994

Painting

Acrylic On Canvas

EUR 17,900

Ben Vautier

Regardez Ailleurs, c. 1980

Limited Edition Print

Lithograph

EUR 1,750

Ben Vautier

N’importe Qui Peut Avoir Une Idée, c. 1980

Limited Edition Print

Lithograph

Currently Not Available

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What is late modernism?

Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.

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