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wood, steel and serigraph // Vibration Cercles Noir, Orange et Rouge by Antonio Asis is a mixed-media sculptural work crafted with wood, steel, and serigraphy, created in 2010. This piece stands out with its mesmerizing use of concentric circles and vertical lines in black, orange, and red. The layered arrangement of colors and lines produces a pulsating, vibrating visual effect, inviting the viewer's eye to engage in a dynamic interplay of depth and movement. The contrast between the solid black grid and the vibrant red and orange beneath creates an optical illusion that seems to shift and pulse with movement, highlighting Asis’s expertise in optical art. Limited to an edition of 15, this artwork exemplifies Asis's ability to transform simple geometric shapes into intricate, engaging compositions.
vibration cercles noir, orange et rouge, 2010
form
Medium
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52 x 52 X 13 cm
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Price
- USD
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Details
Artist
Styles
wood, steel and serigraph // Vibration Cercles Noir, Orange et Rouge by Antonio Asis is a mixed-media sculptural work crafted with wood, steel, and serigraphy, created in 2010. This piece stands out with its mesmerizing use of concentric circles and vertical lines in black, orange, and red. The layered arrangement of colors and lines produces a pulsating, vibrating visual effect, inviting the viewer's eye to engage in a dynamic interplay of depth and movement. The contrast between the solid black grid and the vibrant red and orange beneath creates an optical illusion that seems to shift and pulse with movement, highlighting Asis’s expertise in optical art. Limited to an edition of 15, this artwork exemplifies Asis's ability to transform simple geometric shapes into intricate, engaging compositions.
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Antonio Asis
Vibration Bandes Noir, Bleu Et Turquoise, 2010
Sculpture / Object
Mixed Media
EUR 3,000
Antonio Asis
Vibration Cercles Mauve, Rouge Et Turquoise, 2010
Sculpture / Object
Mixed Media
EUR 3,000
What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
