Details
Artist
Styles
wood, steel and serigraph // Antonio Asis's Vibration Carré Noir et Bleu (2012) is a captivating exploration of kinetic and optical art, crafted from wood, steel, and serigraph. This mixed-media piece consists of a square grid of repeating circular patterns that radiate in waves, creating a sense of movement and vibration. The interplay of black and blue colors adds depth, as darker and lighter tones alternate to form an optical illusion, captivating the viewer's eye. The use of precision and symmetry reflects Asis's mastery in manipulating visual perception, evoking a pulsating effect that invites contemplation of spatial relationships and the interaction between light and shadow. Asis’s work is a dynamic study of visual rhythm and vibrancy.
Vibration Carré Noir et Bleu, 2012
form
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Size
52 x 52 X 13 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
wood, steel and serigraph // Antonio Asis's Vibration Carré Noir et Bleu (2012) is a captivating exploration of kinetic and optical art, crafted from wood, steel, and serigraph. This mixed-media piece consists of a square grid of repeating circular patterns that radiate in waves, creating a sense of movement and vibration. The interplay of black and blue colors adds depth, as darker and lighter tones alternate to form an optical illusion, captivating the viewer's eye. The use of precision and symmetry reflects Asis's mastery in manipulating visual perception, evoking a pulsating effect that invites contemplation of spatial relationships and the interaction between light and shadow. Asis’s work is a dynamic study of visual rhythm and vibrancy.
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Antonio Asis
Vibration Bandes Noir, Bleu Et Turquoise, 2010
Sculpture / Object
Mixed Media
EUR 3,000
Antonio Asis
Vibration Cercles Mauve, Rouge Et Turquoise, 2010
Sculpture / Object
Mixed Media
EUR 3,000
What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.
