


Details
Artist
Styles
Antonio Asis created a series of 20 Monotypes - all unique pieces. // Asistype 4 - Boule sur Cercle by Antonio Asis, crafted in 2016, is a mesmerizing monotype that exemplifies the artist’s skill in optical art and spatial perception. This piece presents a central white sphere that appears to extend outward, encircled by concentric rings in earthy shades of beige, deep blue, and white. The gradation of colors creates a gentle yet captivating depth, drawing the viewer's eye inward and enhancing the illusion of dimensionality. Asis’s choice of soft yet contrasting tones provides a dynamic interplay of warm and cool hues around the central form, making the sphere seem to hover within the layered rings. This monotype captures the essence of Asis’s exploration of perception and space, engaging viewers in a visual experience that feels both meditative and dimensional.
Asistype 4 - boule sur cercle, 2016
form
Medium
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45 x 45 X 12 cm
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- Centimeters
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Details
Artist
Styles
Antonio Asis created a series of 20 Monotypes - all unique pieces. // Asistype 4 - Boule sur Cercle by Antonio Asis, crafted in 2016, is a mesmerizing monotype that exemplifies the artist’s skill in optical art and spatial perception. This piece presents a central white sphere that appears to extend outward, encircled by concentric rings in earthy shades of beige, deep blue, and white. The gradation of colors creates a gentle yet captivating depth, drawing the viewer's eye inward and enhancing the illusion of dimensionality. Asis’s choice of soft yet contrasting tones provides a dynamic interplay of warm and cool hues around the central form, making the sphere seem to hover within the layered rings. This monotype captures the essence of Asis’s exploration of perception and space, engaging viewers in a visual experience that feels both meditative and dimensional.
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Antonio Asis
Vibration Bandes Noir, Bleu Et Turquoise, 2010
Sculpture / Object
Mixed Media
EUR 3,000
What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.