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Artist
Styles
Antonio Asis created a series of 20 Monotypes - all unique pieces. // Asistype 10 - Boule sur Cercle by Antonio Asis, created in 2016, is a unique monotype from a series of 20, blending geometric abstraction with optical illusion. This sculptural piece features a central white sphere that appears to protrude from the surface, framed by concentric rings in muted shades of blue, black, red, and beige. The circular patterns create a hypnotic effect, drawing the viewer’s gaze towards the center, enhancing the three-dimensional illusion of depth around the sphere. Asis, known for his exploration of Op Art, uses the interplay of color, form, and shadow to evoke movement and spatial ambiguity, transforming a flat surface into a dynamic experience. This work invites contemplation on perception, engaging the viewer’s eye in a rhythmic dance around the concentric circles and central form.
Asistype 10 - boule sur cercle, 2016
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45 x 45 X 12 cm
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Details
Artist
Styles
Antonio Asis created a series of 20 Monotypes - all unique pieces. // Asistype 10 - Boule sur Cercle by Antonio Asis, created in 2016, is a unique monotype from a series of 20, blending geometric abstraction with optical illusion. This sculptural piece features a central white sphere that appears to protrude from the surface, framed by concentric rings in muted shades of blue, black, red, and beige. The circular patterns create a hypnotic effect, drawing the viewer’s gaze towards the center, enhancing the three-dimensional illusion of depth around the sphere. Asis, known for his exploration of Op Art, uses the interplay of color, form, and shadow to evoke movement and spatial ambiguity, transforming a flat surface into a dynamic experience. This work invites contemplation on perception, engaging the viewer’s eye in a rhythmic dance around the concentric circles and central form.
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Antonio Asis
Vibration Bandes Noir, Bleu Et Turquoise, 2010
Sculpture / Object
Mixed Media
EUR 3,000
What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
