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Graphite on very fine wove paper. Hand-signed by the artist. // A single, fluid calligraphic loop unfurls across the page with the meditative poise of a Zen brushstroke, distilling Antoni Tàpies's decades-long engagement with Eastern philosophy and the expressive potential of the mark. This graphite drawing on very fine wove paper, dated Barcelona 21 December 1992, bears the artist's dedication and signature, lending it an intimate, personal quality distinct from his monumental canvases. The reductive gesture — at once spontaneous and deeply considered — speaks to Tàpies's belief that the simplest sign can contain the most profound meaning. In its quietude and material directness, this drawing offers an unusually concentrated encounter with one of the great figures of post-war European art.
Untitled (Calligraphic Loop Form), 1992
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42 x 29.5 cm
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Details
Artist
Styles
Graphite on very fine wove paper. Hand-signed by the artist. // A single, fluid calligraphic loop unfurls across the page with the meditative poise of a Zen brushstroke, distilling Antoni Tàpies's decades-long engagement with Eastern philosophy and the expressive potential of the mark. This graphite drawing on very fine wove paper, dated Barcelona 21 December 1992, bears the artist's dedication and signature, lending it an intimate, personal quality distinct from his monumental canvases. The reductive gesture — at once spontaneous and deeply considered — speaks to Tàpies's belief that the simplest sign can contain the most profound meaning. In its quietude and material directness, this drawing offers an unusually concentrated encounter with one of the great figures of post-war European art.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is Tachisme?
Tachisme is a French abstract painting style that gained popularity between 1940 and 1950, often seen as the European counterpart to Abstract Expressionism. However, there are stylistic differences between the two. Tachisme, which emerged from Art Informel, rejected geometric abstraction in favor of more intuitive and spontaneous expression. It was a reaction against the structured forms of Cubism and is closely related to Informalism. Tachisme emphasizes gestural brushwork, irregular forms, and a focus on the process of painting itself.
