Details
Artist
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// Antoni Tàpies’ La Grande Grise is a striking lithograph from 1968 that exemplifies his signature abstract and textured style. The artwork, rendered in a monochromatic palette dominated by various shades of gray and black, creates a powerful visual impact. The composition is a blend of rough, gestural strokes and symbolic markings, incorporating scratches and graffiti-like elements that convey a sense of raw expression. Tàpies often explored themes of materiality and the passage of time, and this piece reflects his interest in transforming everyday textures into profound visual language. Measuring 153 x 104 cm, this large-scale work immerses viewers in its atmospheric, almost meditative quality, inviting contemplation of its mysterious and layered surfaces. Part of a limited edition of 75, it showcases Tàpies’ exploration of the intersection between painting and printmaking.
La Grande Grise, 1968
form
Medium
Size
153 x 104 cm
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Edition
Price
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Details
Artist
Styles
// Antoni Tàpies’ La Grande Grise is a striking lithograph from 1968 that exemplifies his signature abstract and textured style. The artwork, rendered in a monochromatic palette dominated by various shades of gray and black, creates a powerful visual impact. The composition is a blend of rough, gestural strokes and symbolic markings, incorporating scratches and graffiti-like elements that convey a sense of raw expression. Tàpies often explored themes of materiality and the passage of time, and this piece reflects his interest in transforming everyday textures into profound visual language. Measuring 153 x 104 cm, this large-scale work immerses viewers in its atmospheric, almost meditative quality, inviting contemplation of its mysterious and layered surfaces. Part of a limited edition of 75, it showcases Tàpies’ exploration of the intersection between painting and printmaking.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is matter painting?
Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.
