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Apparicions-6 (1982) by Antoni Tàpies is an evocative etching that embodies his signature exploration of materiality, mysticism, and abstraction. The central form, resembling a textured silhouette or garment-like figure, is rendered in earthy brown tones with rough, torn edges. Below it, a flurry of blue linear strokes evokes waves or currents, while scattered marks and a small red shape suggest transient presences or apparitions. The minimal yet symbolic elements imbue the composition with a quiet metaphysical tension. Created in an edition of 99, this work continues Tàpies’ meditation on the traces of the human spirit within abstract form.
Aparicions-6, 1982
form
Medium
Size
76 x 56 cm
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Details
Artist
Styles
Apparicions-6 (1982) by Antoni Tàpies is an evocative etching that embodies his signature exploration of materiality, mysticism, and abstraction. The central form, resembling a textured silhouette or garment-like figure, is rendered in earthy brown tones with rough, torn edges. Below it, a flurry of blue linear strokes evokes waves or currents, while scattered marks and a small red shape suggest transient presences or apparitions. The minimal yet symbolic elements imbue the composition with a quiet metaphysical tension. Created in an edition of 99, this work continues Tàpies’ meditation on the traces of the human spirit within abstract form.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
