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Signed and numbered by the artist. Published by Erker-Presse St. Gallen, with their dry stamp. Catalogue #: 921 Antoni Tàpies’ Neujahrskarte 1984 (1983) is a striking lithograph that exemplifies his fusion of gestural abstraction and symbolic elements. The composition features a finely detailed leaf floating above an expressive black scribble, creating a contrast between organic precision and raw spontaneity. A bold red "X" in the lower right corner serves as a signature motif often found in Tàpies’ work, symbolizing negation, presence, or transformation. The delicate yet powerful balance between controlled form and dynamic movement reflects his exploration of materiality and meaning. Part of an edition of 200 plus artist proofs, catalogued as 921, this work captures Tàpies’ mastery of texture, space, and gestural mark-making.
Neujahrskarte, 1983/84
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38.5 x 57 cm
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Details
Artist
Styles
Signed and numbered by the artist. Published by Erker-Presse St. Gallen, with their dry stamp. Catalogue #: 921 Antoni Tàpies’ Neujahrskarte 1984 (1983) is a striking lithograph that exemplifies his fusion of gestural abstraction and symbolic elements. The composition features a finely detailed leaf floating above an expressive black scribble, creating a contrast between organic precision and raw spontaneity. A bold red "X" in the lower right corner serves as a signature motif often found in Tàpies’ work, symbolizing negation, presence, or transformation. The delicate yet powerful balance between controlled form and dynamic movement reflects his exploration of materiality and meaning. Part of an edition of 200 plus artist proofs, catalogued as 921, this work captures Tàpies’ mastery of texture, space, and gestural mark-making.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
