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Paper: Arches - Perfect condition - Cataloging number: 478. Listed on page 106 of Tàpies. Graphic work. 1973-1978. Editorial Gustavo Gili. 1980. // Berliner-Suite 4 by Antoni Tàpies, a lithograph on Arches paper, reflects the artist’s characteristic abstract style, blending earthy tones with stark, expressive marks. Created in 1974, this piece is part of a limited edition of 150, with 10 additional H.C. (hors commerce) copies, highlighting its exclusivity. The artwork features a rugged, textured composition, where dark, intersecting lines and smudged areas evoke a sense of raw materiality and introspection. Tàpies’ use of layering and scratch-like strokes suggests a blend of destruction and creation, a recurrent theme in his exploration of human experience and existential weight. Listed in Tàpies' catalog raisonné, this lithograph exemplifies his integration of abstract forms with a profound philosophical undertone.
Berliner-Suite 4, 1974
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56 x 76 cm
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Details
Artist
Styles
Paper: Arches - Perfect condition - Cataloging number: 478. Listed on page 106 of Tàpies. Graphic work. 1973-1978. Editorial Gustavo Gili. 1980. // Berliner-Suite 4 by Antoni Tàpies, a lithograph on Arches paper, reflects the artist’s characteristic abstract style, blending earthy tones with stark, expressive marks. Created in 1974, this piece is part of a limited edition of 150, with 10 additional H.C. (hors commerce) copies, highlighting its exclusivity. The artwork features a rugged, textured composition, where dark, intersecting lines and smudged areas evoke a sense of raw materiality and introspection. Tàpies’ use of layering and scratch-like strokes suggests a blend of destruction and creation, a recurrent theme in his exploration of human experience and existential weight. Listed in Tàpies' catalog raisonné, this lithograph exemplifies his integration of abstract forms with a profound philosophical undertone.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is automatism?
Automatism refers to a technique in the creative process that accesses material from the unconscious or subconscious mind. It is based on Sigmund Freud’s psychoanalytic method of free association. Artists value this process for its ability to inspire creative thought and spontaneous creation.
