Details
Artist
Styles
Etching in colours with relief and grattage, on Guarro paper - Signed in pencil // Antoni Tàpies’s Cobert de Roig (1984) is a dynamic and textured etching that exemplifies his abstract style and mastery of material experimentation. The artwork features a bold use of red, layered with black geometric forms and gestural brushstrokes. The etching incorporates grattage (scraping) techniques, adding depth and tactile quality to the composition. The contrasting textures and colors create a sense of movement and intensity, evoking a visceral response from the viewer. The work is printed on Guarro paper and includes Tàpies’s signature in pencil, indicating its authenticity. Produced in a limited edition of 99 with an additional 15 artist proofs (AP), Cobert de Roig reflects Tàpies's exploration of materiality, symbolism, and the transformation of surface into a complex visual language.
Cobert de Roig, 1984
form
Medium
Size
75 x 75 cm
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- Centimeters
Edition
Price
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Details
Artist
Styles
Etching in colours with relief and grattage, on Guarro paper - Signed in pencil // Antoni Tàpies’s Cobert de Roig (1984) is a dynamic and textured etching that exemplifies his abstract style and mastery of material experimentation. The artwork features a bold use of red, layered with black geometric forms and gestural brushstrokes. The etching incorporates grattage (scraping) techniques, adding depth and tactile quality to the composition. The contrasting textures and colors create a sense of movement and intensity, evoking a visceral response from the viewer. The work is printed on Guarro paper and includes Tàpies’s signature in pencil, indicating its authenticity. Produced in a limited edition of 99 with an additional 15 artist proofs (AP), Cobert de Roig reflects Tàpies's exploration of materiality, symbolism, and the transformation of surface into a complex visual language.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
