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Lithography; 185 signed and numbered copies; paper: Arches; Plate size: 70 x 51'7 cm.; Artwork size: 90 x 60 cm. Perfect condition; Original polychrome lithograph conceived for the poster for the Tapiès exhibition for the Lelong gallery (Fiac 1983. The edition is 185 copies; it consists of 150 signed and numbered 1 / 150-150 / 150 copies, 29 signed and numbered HC copies I / XXIX-XXIX / XXIX, and 6 PA signed and numbered I / VI-VI / VI. Publisher: Lelong Gallery, Paris. Edition: Listed on page 164 of Tàpies, Galfetti, Vol. III, n ° 924. graphic work 1979-1986. Erker-Verlag, 2002. // A. L. Exposition Tàpies 1 by Antoni Tàpies is a striking lithograph created in 1983, originally conceived as a poster for Tàpies' exhibition at the Lelong Gallery. The artwork presents an abstract composition dominated by earthy tones of black, beige, and hints of gray, with textures that create a sense of depth and movement. The image features a bold, central form resembling calligraphic strokes or ancient symbols, suggesting Tàpies' interest in layering meanings and materials. Above the main figure, a textured pattern, resembling folded paper or woven fabric, adds contrast and complexity. This lithograph exemplifies Tàpies’ fascination with texture, symbols, and the interplay between materiality and abstraction, inviting viewers to ponder on its possible meanings. Printed on Arches paper, this piece is part of a limited edition of 185 signed and numbered copies, along with additional HC and PA editions. Its historical context as an exhibition poster adds to its cultural significance.
A. L. Exposition Tàpies 1, 1983
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90 x 60 cm
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Details
Artist
Styles
Lithography; 185 signed and numbered copies; paper: Arches; Plate size: 70 x 51'7 cm.; Artwork size: 90 x 60 cm. Perfect condition; Original polychrome lithograph conceived for the poster for the Tapiès exhibition for the Lelong gallery (Fiac 1983. The edition is 185 copies; it consists of 150 signed and numbered 1 / 150-150 / 150 copies, 29 signed and numbered HC copies I / XXIX-XXIX / XXIX, and 6 PA signed and numbered I / VI-VI / VI. Publisher: Lelong Gallery, Paris. Edition: Listed on page 164 of Tàpies, Galfetti, Vol. III, n ° 924. graphic work 1979-1986. Erker-Verlag, 2002. // A. L. Exposition Tàpies 1 by Antoni Tàpies is a striking lithograph created in 1983, originally conceived as a poster for Tàpies' exhibition at the Lelong Gallery. The artwork presents an abstract composition dominated by earthy tones of black, beige, and hints of gray, with textures that create a sense of depth and movement. The image features a bold, central form resembling calligraphic strokes or ancient symbols, suggesting Tàpies' interest in layering meanings and materials. Above the main figure, a textured pattern, resembling folded paper or woven fabric, adds contrast and complexity. This lithograph exemplifies Tàpies’ fascination with texture, symbols, and the interplay between materiality and abstraction, inviting viewers to ponder on its possible meanings. Printed on Arches paper, this piece is part of a limited edition of 185 signed and numbered copies, along with additional HC and PA editions. Its historical context as an exhibition poster adds to its cultural significance.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
