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phg.s.01 by Thomas Ruff is a C-print based on a digital image from the artist’s phg series, conceived in 2012 and printed in 2020. Rather than using a traditional photograph, Ruff creates abstract compositions by manipulating computer-generated imagery, resulting in luminous forms that appear to float between photography, painting, and digital rendering. In this work, translucent green, black, and silver shapes overlap and refract light, producing a dynamic illusion of depth and movement. The composition reflects Ruff’s longstanding investigation into the nature of photographic representation and the impact of digital technologies on visual perception. Printed as a C-print in an edition of 100, phg.s.01 exemplifies the artist’s innovative approach to expanding the boundaries of contemporary photography.
phg.s.01, 2012-2020
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30 x 24 cm
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Details
Artist
Styles
phg.s.01 by Thomas Ruff is a C-print based on a digital image from the artist’s phg series, conceived in 2012 and printed in 2020. Rather than using a traditional photograph, Ruff creates abstract compositions by manipulating computer-generated imagery, resulting in luminous forms that appear to float between photography, painting, and digital rendering. In this work, translucent green, black, and silver shapes overlap and refract light, producing a dynamic illusion of depth and movement. The composition reflects Ruff’s longstanding investigation into the nature of photographic representation and the impact of digital technologies on visual perception. Printed as a C-print in an edition of 100, phg.s.01 exemplifies the artist’s innovative approach to expanding the boundaries of contemporary photography.
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Thomas Ruff
Tripe_12 (Seeringham, Munduppum Inside Gateway), 2018
Photography
Inkjet Print
GBP 1,800
Thomas Ruff
Tripe_08 (Pugahm Myo. Thapinyu Pagoda), 2018
Limited Edition Print
Inkjet Print
GBP 1,800
What is the Dusseldorf school of photography?
The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.
