Chirac's Battle by Thomas Ruff, created in 1998, is a thought-provoking photographic artwork that critiques political power and military symbolism. The image features a manipulated, propaganda-style portrayal of Jacques Chirac, the French president at the time, set against a background of nuclear explosions and military planes. The bold red text, which reads Croire en Grand (Believe Big), contrasts with the unsettling visuals, highlighting the irony in grandiose political rhetoric associated with nuclear power and defense. Ruff’s work often involves appropriated imagery and digital manipulation to challenge viewers’ perceptions of media and authority. This limited-edition photograph encourages reflection on the intersection of politics, nationalism, and the ethics of military force.
Thomas Ruff (Germany, 1958) is a contemporary photographer known for his conceptual approach and exploration of the photographic medium. A member of the Düsseldorf School, he has produced diverse series, including large-scale portraits, architectural studies, and digitally manipulated images. Ruff's work challenges perceptions of reality and representation in photography.
PictographyA photograph is an image captured with a camera. Traditionally, photographs were made by exposing film and then developing the image on light-sensitive paper using chemicals. Today, photographs can also be captured digitally and printed or displayed electronically. The process requires a camera, whether film or digital, and a photographer.
Chirac's Battle by Thomas Ruff, created in 1998, is a thought-provoking photographic artwork that critiques political power and military symbolism. The image features a manipulated, propaganda-style portrayal of Jacques Chirac, the French president at the time, set against a background of nuclear explosions and military planes. The bold red text, which reads Croire en Grand (Believe Big), contrasts with the unsettling visuals, highlighting the irony in grandiose political rhetoric associated with nuclear power and defense. Ruff’s work often involves appropriated imagery and digital manipulation to challenge viewers’ perceptions of media and authority. This limited-edition photograph encourages reflection on the intersection of politics, nationalism, and the ethics of military force.
Thomas Ruff (Germany, 1958) is a contemporary photographer known for his conceptual approach and exploration of the photographic medium. A member of the Düsseldorf School, he has produced diverse series, including large-scale portraits, architectural studies, and digitally manipulated images. Ruff's work challenges perceptions of reality and representation in photography.
My images are not images of reality, but show a kind of second reality, the image of the image.
- Thomas Ruff
Deemed the ‘master of edited and reimagined images’, Thomas Ruff is a photographer renowned for his use of technological advancements as a means of bringing new meaning and visual possibilities to his field. Press++ is among the photographer’s most notable works and is comprised of numerous images that had been published in American newspapers and magazines between the 1920’s and 1970’s, later sourced by Ruff on eBay - in producing the works, he scanned the front and back of the images and digitally combined them, with consideration taken of touch-ups, scribbles and date stamps. Among Ruff’s wider oeuvre are expressionless portraits, blurred pornography, domestic interiors and internet-sourced JPEGs. Heavily inspired by his teachers Bernd and Hilla Becher, Ruff learned from their expertise in straight photography; Joel Meyerowitz and Stephen Shore are among his other early influences.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.