
Lithograph in colours, on Arches paper. Hand signed lower right. Image size 50 x 42 cm . Sheet size 75 x 55.5 cm .
'Arlequin (Harlequin)' by Sonia Delaunay is a lithograph from 1974, hand-signed and from a numbered edition. The composition arranges interlocking rectangles, triangles, and a single crescent arc across a near-square field, using flat planes of red, cobalt blue, yellow-green, teal, periwinkle, and black alongside stippled grey passages that add tactile contrast. The title nods to the patchwork costume of the Commedia dell'arte figure, a recurrent motif in Delaunay's work that let her organise colour into discrete, grid-like cells without recourse to representation. Delaunay co-founded Orphism alongside Robert Delaunay, a movement that treated colour contrast — rather than line — as the primary structural force in a composition. This late-career print, produced when she was in her late eighties, demonstrates her sustained command of that principle: the colours do not blend but collide at hard edges, generating visual rhythm through opposition alone.
Arlequin (Harlequin), 1974
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Lithograph in colours, on Arches paper. Hand signed lower right. Image size 50 x 42 cm . Sheet size 75 x 55.5 cm .
'Arlequin (Harlequin)' by Sonia Delaunay is a lithograph from 1974, hand-signed and from a numbered edition. The composition arranges interlocking rectangles, triangles, and a single crescent arc across a near-square field, using flat planes of red, cobalt blue, yellow-green, teal, periwinkle, and black alongside stippled grey passages that add tactile contrast. The title nods to the patchwork costume of the Commedia dell'arte figure, a recurrent motif in Delaunay's work that let her organise colour into discrete, grid-like cells without recourse to representation. Delaunay co-founded Orphism alongside Robert Delaunay, a movement that treated colour contrast — rather than line — as the primary structural force in a composition. This late-career print, produced when she was in her late eighties, demonstrates her sustained command of that principle: the colours do not blend but collide at hard edges, generating visual rhythm through opposition alone.
What is Réalités Nouvelles?
Réalités Nouvelles means new realities and refers to an exhibiting society founded in 1939 in Paris by Sonia Delaunay. The Salon des Réalités Nouvelles was dedicated to promoting abstract art, which it considered to be a new reality because it does not imitate the existing physical world. The movement emphasized that abstract art creates its own reality, independent of the external world, and played a significant role in the development and recognition of abstract art in the mid-20th century.

Sonia Delaunay
Arlequin (Harlequin), 1974
75 x 55.5 cm






















