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Etching with aquatint printed in colours, on Arches paper. Initialled in pencil, numbered from the edition of 80, as included in 'La Nouvelle Chute de l'Amérique'. Printed by Atelier Dupont-Visat, Atelier Dupont-Visat, l'Inéditeur. Published by Les Editions du Solstice, Paris. Roy Lichtenstein's Illustration for 'Une Fenêtre ouverte sur Chicago' (1992) is a color etching with aquatint created for La Nouvelle Chute de l'Amérique. It exemplifies Lichtenstein’s bold Pop Art vocabulary—thick black outlines, primary colors, and Ben-Day dots—applied here to a fragmented urban landscape. The composition evokes industrial Chicago through stylized machinery, smokestacks, and factory-like structures, all intersecting in a dynamic, almost chaotic rhythm. The sharp contrast of black forms against blue stripes and muted tones reflects the tension between man-made systems and modernity. Printed by Atelier Dupont-Visat in an edition of 80, this work reveals Lichtenstein’s ability to infuse comic book aesthetics with critical visual commentary on industrial culture.
Illustration for 'Une Fenêtre ouverte sur Chicago' (Corlett 271), 1992
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Details
Artist
Styles
Etching with aquatint printed in colours, on Arches paper. Initialled in pencil, numbered from the edition of 80, as included in 'La Nouvelle Chute de l'Amérique'. Printed by Atelier Dupont-Visat, Atelier Dupont-Visat, l'Inéditeur. Published by Les Editions du Solstice, Paris. Roy Lichtenstein's Illustration for 'Une Fenêtre ouverte sur Chicago' (1992) is a color etching with aquatint created for La Nouvelle Chute de l'Amérique. It exemplifies Lichtenstein’s bold Pop Art vocabulary—thick black outlines, primary colors, and Ben-Day dots—applied here to a fragmented urban landscape. The composition evokes industrial Chicago through stylized machinery, smokestacks, and factory-like structures, all intersecting in a dynamic, almost chaotic rhythm. The sharp contrast of black forms against blue stripes and muted tones reflects the tension between man-made systems and modernity. Printed by Atelier Dupont-Visat in an edition of 80, this work reveals Lichtenstein’s ability to infuse comic book aesthetics with critical visual commentary on industrial culture.
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Limited Edition Print
Screen-print
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Limited Edition Print
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USD 13,250
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Industry And The Arts (II), 1969
Limited Edition Print
Screen-print
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Limited Edition Print
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Limited Edition Print
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Pistol (from Banner, Multiples Calendar, 1968
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Limited Edition Print
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Limited Edition Print
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Roy Lichtenstein
Sweet Dreams, Baby!, 1965
Limited Edition Print
Screen-print
Currently Not Available
What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.
