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Lithograph on Georges Duchêne Hawthorne of Larroque, handmade. Signed and numbered to lower margin. With publisher's and artist's blindstamps. Image: 29.8 × 18 in (76 × 46 cm) Sheet: 35.7 × 23.75 in (89 × 60 cm) Printed and published by Gemini G.E.L., Los Angeles. Literature: Engberg/Banach 164 | Gemini 598 | Belknap 115 An example of this work is held in the collection of the National Gallery of Art, Washington, DC. Soot-Black Stone, #3 by Robert Motherwell, created in 1975, is a lithograph printed on handmade Georges Duchêne Hawthorne of Larroque paper. This work continues the artist’s Soot-Black Stone series, characterized by minimalist compositions and meditative abstraction. At its center is a textured, pale, stone-like form that seems suspended within a vast, velvety black field. Thin, wavering white lines subtly delineate vertical motion or bodily contours, emphasizing emptiness and presence. Printed and published by Gemini G.E.L., Los Angeles, and part of the National Gallery of Art's collection, this piece exemplifies Motherwell's intellectual rigor and emotional restraint in visual form.
Soot-Black Stone, #3, 1975
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Medium
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89 x 60 cm
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Details
Artist
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Lithograph on Georges Duchêne Hawthorne of Larroque, handmade. Signed and numbered to lower margin. With publisher's and artist's blindstamps. Image: 29.8 × 18 in (76 × 46 cm) Sheet: 35.7 × 23.75 in (89 × 60 cm) Printed and published by Gemini G.E.L., Los Angeles. Literature: Engberg/Banach 164 | Gemini 598 | Belknap 115 An example of this work is held in the collection of the National Gallery of Art, Washington, DC. Soot-Black Stone, #3 by Robert Motherwell, created in 1975, is a lithograph printed on handmade Georges Duchêne Hawthorne of Larroque paper. This work continues the artist’s Soot-Black Stone series, characterized by minimalist compositions and meditative abstraction. At its center is a textured, pale, stone-like form that seems suspended within a vast, velvety black field. Thin, wavering white lines subtly delineate vertical motion or bodily contours, emphasizing emptiness and presence. Printed and published by Gemini G.E.L., Los Angeles, and part of the National Gallery of Art's collection, this piece exemplifies Motherwell's intellectual rigor and emotional restraint in visual form.
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
