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Lithograph on Georges Duchêne Hawthorne of Larroque, handmade. Signed and numbered to lower margin. With publisher's and artist's blindstamps. Image: 29.8 × 18 in (76 × 46 cm) Sheet: 35.7 × 23.75 in (89 × 60 cm) Printed and published by Gemini G.E.L., Los Angeles. Literature: Engberg/Banach 164 | Gemini 598 | Belknap 115 An example of this work is held in the collection of the National Gallery of Art, Washington, DC. Soot-Black Stone, #3 by Robert Motherwell, created in 1975, is a lithograph printed on handmade Georges Duchêne Hawthorne of Larroque paper. This work continues the artist’s Soot-Black Stone series, characterized by minimalist compositions and meditative abstraction. At its center is a textured, pale, stone-like form that seems suspended within a vast, velvety black field. Thin, wavering white lines subtly delineate vertical motion or bodily contours, emphasizing emptiness and presence. Printed and published by Gemini G.E.L., Los Angeles, and part of the National Gallery of Art's collection, this piece exemplifies Motherwell's intellectual rigor and emotional restraint in visual form.
Soot-Black Stone, #3, 1975
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Medium
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89 x 60 cm
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Details
Artist
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Lithograph on Georges Duchêne Hawthorne of Larroque, handmade. Signed and numbered to lower margin. With publisher's and artist's blindstamps. Image: 29.8 × 18 in (76 × 46 cm) Sheet: 35.7 × 23.75 in (89 × 60 cm) Printed and published by Gemini G.E.L., Los Angeles. Literature: Engberg/Banach 164 | Gemini 598 | Belknap 115 An example of this work is held in the collection of the National Gallery of Art, Washington, DC. Soot-Black Stone, #3 by Robert Motherwell, created in 1975, is a lithograph printed on handmade Georges Duchêne Hawthorne of Larroque paper. This work continues the artist’s Soot-Black Stone series, characterized by minimalist compositions and meditative abstraction. At its center is a textured, pale, stone-like form that seems suspended within a vast, velvety black field. Thin, wavering white lines subtly delineate vertical motion or bodily contours, emphasizing emptiness and presence. Printed and published by Gemini G.E.L., Los Angeles, and part of the National Gallery of Art's collection, this piece exemplifies Motherwell's intellectual rigor and emotional restraint in visual form.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
