
Screenprint in colors on Coventry Rag paper.
Signed, numbered & dated.
Published by American Image Art, New York.
Image: 25.8 by 26 in. (65.8 by 66 cm.)
Sheet: 35 by 29.5 in. (89.2 by 74.9 cm.)
'Four Seasons of Hope: Winter (Gold)' by Robert Indiana is a screen-print in which the word HOPE fills the entire pictorial field in oversized, slab-serif capitals. The letters are rendered in soft gold against a graduated background that shifts from a deep cobalt at the top through pale grey-blue toward the centre — a colour pairing Indiana used across the four-print 'Four Seasons of Hope' series to distinguish each seasonal variant. The work is hand-signed and from a numbered edition. Indiana, whose 'LOVE' image became one of the most reproduced works in American pop art after its adoption as a US Postal Service stamp in 1973, consistently used single words as vehicles for what he called 'protest paintings' — works that traded overt imagery for declarative language. The bold, commercial letterforms of 'HOPE' carry that same directness: political in register, immediately legible, and resistant to ornament.
Four Seasons of Hope: Winter (Gold), 2012
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Screenprint in colors on Coventry Rag paper.
Signed, numbered & dated.
Published by American Image Art, New York.
Image: 25.8 by 26 in. (65.8 by 66 cm.)
Sheet: 35 by 29.5 in. (89.2 by 74.9 cm.)
'Four Seasons of Hope: Winter (Gold)' by Robert Indiana is a screen-print in which the word HOPE fills the entire pictorial field in oversized, slab-serif capitals. The letters are rendered in soft gold against a graduated background that shifts from a deep cobalt at the top through pale grey-blue toward the centre — a colour pairing Indiana used across the four-print 'Four Seasons of Hope' series to distinguish each seasonal variant. The work is hand-signed and from a numbered edition. Indiana, whose 'LOVE' image became one of the most reproduced works in American pop art after its adoption as a US Postal Service stamp in 1973, consistently used single words as vehicles for what he called 'protest paintings' — works that traded overt imagery for declarative language. The bold, commercial letterforms of 'HOPE' carry that same directness: political in register, immediately legible, and resistant to ornament.
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Screen-print
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Limited Edition Print
Screen-print
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.








































































