
Original screenprint in colors on Coventry Rag wove paper. Edition of 125, numbered in pencil lower left. One of four plates from Four Seasons of Hope; published by American Image Art, New York. Sheet size: 89.5 x 74.9 cm (35 1/4 x 29 1/2 in) Image size: 66.0 x 66.0 cm (26 x 26 in)
'Four Seasons of Hope: Spring (Silver)' by Robert Indiana is a screen-print from a hand-numbered edition of 125. The composition presents the word HOPE in bold, slab-serif capitals arranged in a two-by-two grid — a typographic format Indiana had developed decades earlier with his landmark LOVE image. The letters are rendered in flat silver-grey, while the negative space within and behind them fills with a vertical gradient: sky blue and aqua in the upper half, shifting through white into pink, then settling into deep violet at the base. The silver ink gives the letterforms a cool, metallic weight that sits in deliberate contrast to the warm pastel gradient behind them. Indiana consistently described his word-based works as protest paintings, and HOPE — deployed here with the same graphic directness as LOVE — carries that political charge. The 2012 date places it in the period following Indiana's widely circulated contributions to the Obama campaign imagery, extending his long engagement with American civic language into print.
Four Seasons of Hope: Spring (Silver), 2012
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Original screenprint in colors on Coventry Rag wove paper. Edition of 125, numbered in pencil lower left. One of four plates from Four Seasons of Hope; published by American Image Art, New York. Sheet size: 89.5 x 74.9 cm (35 1/4 x 29 1/2 in) Image size: 66.0 x 66.0 cm (26 x 26 in)
'Four Seasons of Hope: Spring (Silver)' by Robert Indiana is a screen-print from a hand-numbered edition of 125. The composition presents the word HOPE in bold, slab-serif capitals arranged in a two-by-two grid — a typographic format Indiana had developed decades earlier with his landmark LOVE image. The letters are rendered in flat silver-grey, while the negative space within and behind them fills with a vertical gradient: sky blue and aqua in the upper half, shifting through white into pink, then settling into deep violet at the base. The silver ink gives the letterforms a cool, metallic weight that sits in deliberate contrast to the warm pastel gradient behind them. Indiana consistently described his word-based works as protest paintings, and HOPE — deployed here with the same graphic directness as LOVE — carries that political charge. The 2012 date places it in the period following Indiana's widely circulated contributions to the Obama campaign imagery, extending his long engagement with American civic language into print.
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Limited Edition Print
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What is Lettrism?
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.

Robert Indiana
Four Seasons of Hope: Spring (Silver), 2012
89.5 x 74.9 cm








































































