
Original screenprint in colors on Coventry Rag wove paper. Edition of 125, numbered in pencil lower left. One of four plates from Four Seasons of Hope; published by American Image Art, New York. Sheet size: 89.5 x 74.9 cm (35 1/4 x 29 1/2 in) Image size: 66.0 x 66.0 cm (26 x 26 in) Frame size: 102.2 x 95.9 x 6.3 cm (40 1/4 x 37 3/4 x 2 1/2 in)//
'Four Seasons of Hope: Winter (Silver)' by Robert Indiana is a screen-print in which the word HOPE fills the composition in bold, slab-serif letterforms arranged in a two-by-two grid — a format Indiana developed directly from his landmark 'LOVE' works. A silver metallic ink carries the letters across a gradient background that shifts from cobalt blue at the top through a pale mid-tone to a muted violet at the base, lending the palette a cold, wintry register consistent with the series title. The hand-numbered print dates to 2012 and belongs to Indiana's sustained practice of word-based protest work — he described such pieces as 'protest paintings' — positioning 'HOPE' within the same visual and political vocabulary he had been building since the 1960s, when his block-letter imagery entered broad American public consciousness.
Four Seasons of Hope: Winter (Silver), 2012
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Original screenprint in colors on Coventry Rag wove paper. Edition of 125, numbered in pencil lower left. One of four plates from Four Seasons of Hope; published by American Image Art, New York. Sheet size: 89.5 x 74.9 cm (35 1/4 x 29 1/2 in) Image size: 66.0 x 66.0 cm (26 x 26 in) Frame size: 102.2 x 95.9 x 6.3 cm (40 1/4 x 37 3/4 x 2 1/2 in)//
'Four Seasons of Hope: Winter (Silver)' by Robert Indiana is a screen-print in which the word HOPE fills the composition in bold, slab-serif letterforms arranged in a two-by-two grid — a format Indiana developed directly from his landmark 'LOVE' works. A silver metallic ink carries the letters across a gradient background that shifts from cobalt blue at the top through a pale mid-tone to a muted violet at the base, lending the palette a cold, wintry register consistent with the series title. The hand-numbered print dates to 2012 and belongs to Indiana's sustained practice of word-based protest work — he described such pieces as 'protest paintings' — positioning 'HOPE' within the same visual and political vocabulary he had been building since the 1960s, when his block-letter imagery entered broad American public consciousness.
Robert Indiana
Four Seasons of Hope: Summer (Silver), 2012
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Robert Indiana
Four Seasons of Hope: Sprint (Silver), 2012
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Robert Indiana
Four Seasons of Hope: Autumn (Silver), 2012
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Robert Indiana
Four Seasons of Hope: Winter (Silver), 2012
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Robert Indiana
The American Dream (High Ball Redball Manifest), 1996
Limited Edition Print
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USD 3,700
Robert Indiana
The American Dream (Metamorphosis of Norma Jean Mortenson), 1996
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USD 3,750
Robert Indiana
The Hartley Elegies: The Berlin Series - KvF 5, 1990
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Serigraph
USD 7,900
Robert Indiana
Susan B. Anthony - Mother of us all portfolio, 1977
Limited Edition Print
Lithograph
USD 1,350
Robert Indiana
Lilian Russell - Mother of us all portfolio, 1977
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Lithograph
USD 1,350
Robert Indiana
Jo the Loiterer - Mother of us all portfolio, 1977
Limited Edition Print
Lithograph
USD 1,350
Robert Indiana
Henrietta M. - Mother of us all portfolio, 1977
Limited Edition Print
Lithograph
USD 1,350
Robert Indiana
Gertrude Stein - Mother of us all portfolio, 1977
Limited Edition Print
Lithograph
USD 1,350
Robert Indiana
Constance Fletcher - Mother of us all portfolio , 1977
Limited Edition Print
Lithograph
USD 1,350
Robert Indiana
Angel More - Mother of us all portfolio , 1977
Limited Edition Print
Lithograph
USD 1,350
Robert Indiana
The Hartley Elegies: The Berlin Series- KvF IV, 1990
Limited Edition Print
Serigraph
USD 7,900
Robert Indiana
The Hartley Elegies: The Berlin Series - KvF III, 1990
Limited Edition Print
Serigraph
USD 7,900
Robert Indiana
The Hartley Elegies: The Berlin Series - KvF I, 1990
Limited Edition Print
Serigraph
USD 7,900
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

Robert Indiana
Four Seasons of Hope: Winter (Silver), 2012
89.5 x 74.9 cm





































































