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Etching on laid wove paper. - Printed by Jacques Frélaut, 1960 - Published by Galerie Louise Leiris, 1960 - Image: 20.5 x 26.9 cm - Sheet: 32.4 x 37.4 cm - Proof annotated by Picasso; “Bon a tirer” / Picasso/ Le 30-10-'60” (Good to pull / Picasso / 30-10-’60) in pencil. This is the first perfect impression of the work. - Catalogue raisonné: Bloch 986; Geiser / Baer 1071A (This copy cited by Baer) // Pablo Picasso's Personnages et Nu (1960) is a limited edition etching that captures the artist's characteristic exploration of form and abstraction. Measuring 32.4 x 37.4 cm, this work features simplified yet expressive lines depicting two figures and a nude, alongside a minimalistic chair. Picasso’s deft use of line reduces these forms to their essence, creating a composition that is both fluid and dynamic. The piece reflects his mastery of the etching technique, demonstrating his ability to convey emotion and movement with minimal details. Annotated as “Bon à tirer” (meaning good to pull) and signed by Picasso himself, this print is the first perfect impression of the work. Printed by Jacques Frélaut and published by Galerie Louise Leiris, it is cataloged in the Bloch and Geiser/Baer catalogues, underscoring its significance in Picasso's vast oeuvre. This etching is a powerful testament to Picasso's influence in 20th-century art, embodying his innovation and expressiveness.
Personnages et Nu, 1960
form
Medium
Size
32.4 x 37.4 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Etching on laid wove paper. - Printed by Jacques Frélaut, 1960 - Published by Galerie Louise Leiris, 1960 - Image: 20.5 x 26.9 cm - Sheet: 32.4 x 37.4 cm - Proof annotated by Picasso; “Bon a tirer” / Picasso/ Le 30-10-'60” (Good to pull / Picasso / 30-10-’60) in pencil. This is the first perfect impression of the work. - Catalogue raisonné: Bloch 986; Geiser / Baer 1071A (This copy cited by Baer) // Pablo Picasso's Personnages et Nu (1960) is a limited edition etching that captures the artist's characteristic exploration of form and abstraction. Measuring 32.4 x 37.4 cm, this work features simplified yet expressive lines depicting two figures and a nude, alongside a minimalistic chair. Picasso’s deft use of line reduces these forms to their essence, creating a composition that is both fluid and dynamic. The piece reflects his mastery of the etching technique, demonstrating his ability to convey emotion and movement with minimal details. Annotated as “Bon à tirer” (meaning good to pull) and signed by Picasso himself, this print is the first perfect impression of the work. Printed by Jacques Frélaut and published by Galerie Louise Leiris, it is cataloged in the Bloch and Geiser/Baer catalogues, underscoring its significance in Picasso's vast oeuvre. This etching is a powerful testament to Picasso's influence in 20th-century art, embodying his innovation and expressiveness.
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Inquire For Price
Pablo Picasso
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Limited Edition Print
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USD 7,000 - 10,000
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Pablo Picasso
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Limited Edition Print
Etching
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Pablo Picasso
Modèle Et Grande Tête Sculptée (B170 Vollard), 1933
Limited Edition Print
Etching
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Pablo Picasso
L Inspiration Travaille Et Le Peintre Se Tourne Les Pouches, 1951
Limited Edition Print
Mixed Media
USD 7,500
Pablo Picasso
Le Cocu Posant Pour Une Photographie Devant Des Spectateurs, 1966
Limited Edition Print
Etching And Aquatint
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Pablo Picasso
Peintre Avec Deux Modeles Regardant Une Toile, 1927
Limited Edition Print
Etching
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Pablo Picasso
Bull And Horse (plate III) In The Arena From Le Chef-d'œuvre Inconnu, 1927
Limited Edition Print
Etching
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Pablo Picasso
Les Baigneuses Surprises, From La Suite Vollard, 1933
Limited Edition Print
Etching
USD 16,800
Pablo Picasso
L'Arrivée Du Chevalier (The Arrival Of The Knight), 1971
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Lithograph
EUR 4,850
Pablo Picasso
El Rapto De Jezabel Por Quirón El Centauro II, 1962
Limited Edition Print
Drypoint
EUR 9,560
Pablo Picasso
Femme Assise ( Dora Maar), 1955
Limited Edition Print
Lithograph
Currently Not Available
What is Naive Art?
Naïve art describes a style of artwork that is simple and unsophisticated, often created by artists without formal training in an academy or art school. The style is characterized by a lack of advanced techniques, giving it a childlike appearance. Naïve art often features bright colors, simple shapes, and a straightforward approach to subject matter, reflecting the artist's untrained perspective.
