Details
Artist
Styles
Etching and drypoint. Unsigned. With an inkstamp of Marina Picasso on the back. Printed on fine Montval laid paper with Vollard's and Picasso's signatures as the watermarks. Published by Lacourrière. Ref: Baer 432; Bloch 284 // Bacchus looms with satyr-like intensity over a languorous reclining nude, his densely worked visage a study in feverish invention against the spare, flowing contours of the female figure. This etching and drypoint from the Suite Vollard captures the mythological imagination that animated Picasso's graphic work of the early 1930s, when the interplay between desire, the studio and classical antiquity was at its most fertile. The contrast between the heavily scored face and the elegantly minimal body creates a charged psychological tension unique to Picasso's printmaking. Bearing the inkstamp of Marina Picasso, this impression is printed on Montval laid paper with the watermarks of Vollard and Picasso.
Bacchus et femme nue étendue, 1934
form
Medium
Size
45 x 35 cm
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- Centimeters
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Details
Artist
Styles
Etching and drypoint. Unsigned. With an inkstamp of Marina Picasso on the back. Printed on fine Montval laid paper with Vollard's and Picasso's signatures as the watermarks. Published by Lacourrière. Ref: Baer 432; Bloch 284 // Bacchus looms with satyr-like intensity over a languorous reclining nude, his densely worked visage a study in feverish invention against the spare, flowing contours of the female figure. This etching and drypoint from the Suite Vollard captures the mythological imagination that animated Picasso's graphic work of the early 1930s, when the interplay between desire, the studio and classical antiquity was at its most fertile. The contrast between the heavily scored face and the elegantly minimal body creates a charged psychological tension unique to Picasso's printmaking. Bearing the inkstamp of Marina Picasso, this impression is printed on Montval laid paper with the watermarks of Vollard and Picasso.
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What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.
