Details
Artist
Styles
Screenprint in colours with silver ink // Miles Aldridge’s Venus Etcetera (after Velázquez), a limited edition screen-print from 2022, presents a contemporary twist on classical themes of beauty and femininity. The composition features a blonde woman in lingerie, posed in a stylized, hyper-feminine setting with vibrant colors. With a blow dryer in hand, she sits in front of a vanity surrounded by flowers, playing cards, and other objects that evoke a sense of modern glamour intertwined with chaos. The playful yet provocative setup reflects Aldridge’s signature style, combining pop art aesthetics with surrealism. The silver ink enhances the composition, adding a reflective quality to the already vibrant print.
Venus Etcetera (after Velázquez), 2022
form
Medium
Size
162 x 111.1 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Screenprint in colours with silver ink // Miles Aldridge’s Venus Etcetera (after Velázquez), a limited edition screen-print from 2022, presents a contemporary twist on classical themes of beauty and femininity. The composition features a blonde woman in lingerie, posed in a stylized, hyper-feminine setting with vibrant colors. With a blow dryer in hand, she sits in front of a vanity surrounded by flowers, playing cards, and other objects that evoke a sense of modern glamour intertwined with chaos. The playful yet provocative setup reflects Aldridge’s signature style, combining pop art aesthetics with surrealism. The silver ink enhances the composition, adding a reflective quality to the already vibrant print.
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Miles Aldridge
Venus Etcetera (after Botticelli), 2022
Limited Edition Print
Screen-print
EUR 15,000
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Hell... It`s Only Forever (after Harland Miller), 2017
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Miles Aldridge
Venus Etcetera (after Velázquez), 2022
Limited Edition Print
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What is Kitsch?
Kitsch is a term used to describe cheap, commercial, sentimental, or vulgar art and objects commonly associated with popular culture. The word is borrowed from German, where it originally means trash. Since the 1920s, kitsch has been used to denote the opposite of high art, often implying that the work lacks sophistication or artistic merit.
