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Paper in wooden frame. Actual work is 50cm x 50cm x 2cm. // Luis Tomasello’s ST 1 is a refined exploration of color and depth through minimalist design. This mixed-media piece consists of a grid of square cutouts with alternating shades of soft pink and green, set against a clean white background. Mounted within a wooden frame, this 50 cm square composition draws viewers into an optical illusion of depth as the hues create subtle shifts in perception based on viewing angle and light. Tomasello’s precision and sensitivity to color play invite contemplation, as the artwork embodies his mastery in blending optical effects with serene geometry.
ST 1, 2012
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58 x 58 X 5 cm
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Details
Artist
Styles
Paper in wooden frame. Actual work is 50cm x 50cm x 2cm. // Luis Tomasello’s ST 1 is a refined exploration of color and depth through minimalist design. This mixed-media piece consists of a grid of square cutouts with alternating shades of soft pink and green, set against a clean white background. Mounted within a wooden frame, this 50 cm square composition draws viewers into an optical illusion of depth as the hues create subtle shifts in perception based on viewing angle and light. Tomasello’s precision and sensitivity to color play invite contemplation, as the artwork embodies his mastery in blending optical effects with serene geometry.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.