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// Chromoplastique 1025 by Luis Tomasello is a captivating example of geometric abstraction, blending subtlety with optical illusion. This wooden sculpture is composed of evenly spaced rectangular elements that project from a white base, each piece casting delicate shadows. The faint hints of pink glow at the edges of the forms add a sense of depth and movement, as the artwork subtly interacts with light and the viewer’s perspective. Known for his exploration of kinetic and optical art, Tomasello plays with perception, creating a work that appears to shift and transform as one moves around it. This piece embodies the artist’s dedication to light, shadow, and spatial illusion.
Chromoplastique 1025, 2013
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40 x 40 X 4.5 cm
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Details
Artist
Styles
// Chromoplastique 1025 by Luis Tomasello is a captivating example of geometric abstraction, blending subtlety with optical illusion. This wooden sculpture is composed of evenly spaced rectangular elements that project from a white base, each piece casting delicate shadows. The faint hints of pink glow at the edges of the forms add a sense of depth and movement, as the artwork subtly interacts with light and the viewer’s perspective. Known for his exploration of kinetic and optical art, Tomasello plays with perception, creating a work that appears to shift and transform as one moves around it. This piece embodies the artist’s dedication to light, shadow, and spatial illusion.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
