Sam Francis

Untitled, 1984

106.7 X 73 inch

Jan Schoonhoven's Untitled M-IV, embossing print, minimalist grid pattern with subtle three-dimensional texture and uniform lines.

// Untitled M-IV by Jan Schoonhoven, created in 1972, is a limited edition embossing print that embodies the minimalist and structural essence of the Dutch artist's style. Known for his work in the Nul (Zero) movement, Schoonhoven’s piece reflects a fascination with repetition and precision. The embossed lines create a subtle three-dimensional texture, allowing light to play on the surface and emphasize the uniformity of the grid-like pattern. This restrained design invites viewers to consider the nuances of light and shadow, minimalism, and texture within a monochromatic palette. The artwork, limited to an edition of 120, reflects Schoonhoven's intent to explore form and repetition, providing a calm, meditative experience.

Artwork Copyright © Jan Schoonhoven

Untitled M-IV, 1972

form

Medium

Edition

// Untitled M-IV by Jan Schoonhoven, created in 1972, is a limited edition embossing print that embodies the minimalist and structural essence of the Dutch artist's style. Known for his work in the Nul (Zero) movement, Schoonhoven’s piece reflects a fascination with repetition and precision. The embossed lines create a subtle three-dimensional texture, allowing light to play on the surface and emphasize the uniformity of the grid-like pattern. This restrained design invites viewers to consider the nuances of light and shadow, minimalism, and texture within a monochromatic palette. The artwork, limited to an edition of 120, reflects Schoonhoven's intent to explore form and repetition, providing a calm, meditative experience.

Artwork Copyright © Jan Schoonhoven

Jan Schoonhoven

Untitled M-IV, 1972

Limited Edition Print

Embossing

Currently Not Available

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What is Art Informel?

Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.

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