
Details
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// Untitled M-IV by Jan Schoonhoven, created in 1972, is a limited edition embossing print that embodies the minimalist and structural essence of the Dutch artist's style. Known for his work in the Nul (Zero) movement, Schoonhoven’s piece reflects a fascination with repetition and precision. The embossed lines create a subtle three-dimensional texture, allowing light to play on the surface and emphasize the uniformity of the grid-like pattern. This restrained design invites viewers to consider the nuances of light and shadow, minimalism, and texture within a monochromatic palette. The artwork, limited to an edition of 120, reflects Schoonhoven's intent to explore form and repetition, providing a calm, meditative experience.
Untitled M-IV, 1972
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45 x 37 cm
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- Centimeters
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Details
Artist
Styles
// Untitled M-IV by Jan Schoonhoven, created in 1972, is a limited edition embossing print that embodies the minimalist and structural essence of the Dutch artist's style. Known for his work in the Nul (Zero) movement, Schoonhoven’s piece reflects a fascination with repetition and precision. The embossed lines create a subtle three-dimensional texture, allowing light to play on the surface and emphasize the uniformity of the grid-like pattern. This restrained design invites viewers to consider the nuances of light and shadow, minimalism, and texture within a monochromatic palette. The artwork, limited to an edition of 120, reflects Schoonhoven's intent to explore form and repetition, providing a calm, meditative experience.
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.