


Details
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Color screen-print on paper // Tom Wesselmann’s Monica Sitting with Mondrian (1989) is a vibrant screenprint that merges the iconic geometric abstraction of Piet Mondrian with Wesselmann's bold Pop Art style. This limited edition print features a stylized nude figure, Monica, outlined in soft, curving lines, contrasting sharply with Mondrian's rigid grid of primary colors in the background. The minimalist depiction of Monica, accented by her dark bob hairstyle and subtle use of color, exemplifies Wesselmann's fascination with form, femininity, and the interplay between different artistic movements. By positioning a modern female figure against the backdrop of Mondrian's abstract compositions, Wesselmann bridges the gap between figurative and abstract art, creating a thought-provoking dialogue on modernism and the human form. Signed and numbered by the artist, this piece reflects his enduring impact on Pop Art and contemporary aesthetics.
Somewhere to Light, 1966
form
Medium
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43.2 x 55.9 cm
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Details
Artist
Styles
Color screen-print on paper // Tom Wesselmann’s Monica Sitting with Mondrian (1989) is a vibrant screenprint that merges the iconic geometric abstraction of Piet Mondrian with Wesselmann's bold Pop Art style. This limited edition print features a stylized nude figure, Monica, outlined in soft, curving lines, contrasting sharply with Mondrian's rigid grid of primary colors in the background. The minimalist depiction of Monica, accented by her dark bob hairstyle and subtle use of color, exemplifies Wesselmann's fascination with form, femininity, and the interplay between different artistic movements. By positioning a modern female figure against the backdrop of Mondrian's abstract compositions, Wesselmann bridges the gap between figurative and abstract art, creating a thought-provoking dialogue on modernism and the human form. Signed and numbered by the artist, this piece reflects his enduring impact on Pop Art and contemporary aesthetics.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.