


Details
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Styles
Color screen-print on paper // Tom Wesselmann’s Monica Sitting with Mondrian (1989) is a vibrant screenprint that merges the iconic geometric abstraction of Piet Mondrian with Wesselmann's bold Pop Art style. This limited edition print features a stylized nude figure, Monica, outlined in soft, curving lines, contrasting sharply with Mondrian's rigid grid of primary colors in the background. The minimalist depiction of Monica, accented by her dark bob hairstyle and subtle use of color, exemplifies Wesselmann's fascination with form, femininity, and the interplay between different artistic movements. By positioning a modern female figure against the backdrop of Mondrian's abstract compositions, Wesselmann bridges the gap between figurative and abstract art, creating a thought-provoking dialogue on modernism and the human form. Signed and numbered by the artist, this piece reflects his enduring impact on Pop Art and contemporary aesthetics.
Somewhere to Light, 1966
form
Medium
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43.2 x 55.9 cm
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Details
Artist
Styles
Color screen-print on paper // Tom Wesselmann’s Monica Sitting with Mondrian (1989) is a vibrant screenprint that merges the iconic geometric abstraction of Piet Mondrian with Wesselmann's bold Pop Art style. This limited edition print features a stylized nude figure, Monica, outlined in soft, curving lines, contrasting sharply with Mondrian's rigid grid of primary colors in the background. The minimalist depiction of Monica, accented by her dark bob hairstyle and subtle use of color, exemplifies Wesselmann's fascination with form, femininity, and the interplay between different artistic movements. By positioning a modern female figure against the backdrop of Mondrian's abstract compositions, Wesselmann bridges the gap between figurative and abstract art, creating a thought-provoking dialogue on modernism and the human form. Signed and numbered by the artist, this piece reflects his enduring impact on Pop Art and contemporary aesthetics.
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.