Sam Francis

Untitled, 1984

106.7 X 73 inch

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The World Art Festival

James Rosenquist, Federal Spending (second state), etching and aquatint, features three abstract red shapes suggesting division and balance.

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Etching and aquatint on Pescia Italia - Signed, titled, dated and numbered on front - Published by Multiples, Inc., New York // Federal Spending (second state) by James Rosenquist, created in 1978, is an etching and aquatint on Pescia Italia paper. This limited edition print reflects Rosenquist’s characteristic abstract and pop art style, using bold red tones and geometric shapes. The composition is divided into three distinct forms: a fluid, organic shape on the left, a fragmented circular pattern in the center, and a pair of elliptical forms connected by curved lines on the right. The arrangement and design of these shapes suggest themes of division, balance, and structure, possibly commenting on economic or political concepts, hinted at by the title Federal Spending. The minimalist approach combined with the vibrant red hue creates a visually striking and thought-provoking piece that engages with social commentary through abstraction.

Artwork Copyright © James Rosenquist

James Rosenquist

Federal Spending (second state), 1978

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44.5 x 90.8   cm
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Etching and aquatint on Pescia Italia - Signed, titled, dated and numbered on front - Published by Multiples, Inc., New York // Federal Spending (second state) by James Rosenquist, created in 1978, is an etching and aquatint on Pescia Italia paper. This limited edition print reflects Rosenquist’s characteristic abstract and pop art style, using bold red tones and geometric shapes. The composition is divided into three distinct forms: a fluid, organic shape on the left, a fragmented circular pattern in the center, and a pair of elliptical forms connected by curved lines on the right. The arrangement and design of these shapes suggest themes of division, balance, and structure, possibly commenting on economic or political concepts, hinted at by the title Federal Spending. The minimalist approach combined with the vibrant red hue creates a visually striking and thought-provoking piece that engages with social commentary through abstraction.

Artwork Copyright © James Rosenquist
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James Rosenquist Whipped Butter For Eugene screenprint with bold red, yellow, and blue abstract forms on handmade paper.

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Whipped Butter For Eugene, 1965

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James Rosenquist's Forehead I, 1968 lithograph with bold colors, abstract bars, and swirling red forms, signed and numbered edition of 121.

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James Rosenquist's Moon Box, lithograph, shows a pergola structure casting an American flag's stars and stripes as shadows under a full moon.

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Moon Box, 1971

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EUR 3,100

James Rosenquist’s Ice Point from Art and Sport, lithograph, shows a fragmented face with blue eyes and red geometric lines.

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Ice Point From Art And Sport, 1983

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USD 4,450

James Rosenquist’s Yellow Landing, lithograph, shows a yellow square, circular form, and radiant lines with red splashes and geometric shapes.

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Yellow Landing, 1974

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USD 11,900

James Rosenquist’s Woman in the Sun, lithograph, shows a circle filled with colorful dots and abstract black shapes on the left, with a red explosion form on the right.

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USD 4,450

James Rosenquist’s Nuclear Neighborhood, hand-colored etching, features abstract forms of blue architecture, black shapes, and yellow atomic-like symbols in contrasting sections.

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Nuclear Neighborhood, 1977

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USD 3,750

James Rosenquist’s Horse Blinders (South), lithograph and screenprint, combines vibrant colors and metallic surfaces with silver foil in an abstract composition.

James Rosenquist

Horse Blinders (South), 1972

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USD 6,200

James Rosenquist, Towel, Star, Sunglasses, hand-colored etching with vibrant colors, concentric rings, and sunglasses outline.

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Towel, Star, Sunglasses, 1977

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USD 3,750

James Rosenquist's Where the Water Goes, 1989 collage print, faucet over a pink, blue, and green explosion, blending abstract and mechanical forms.

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Where The Water Goes (from The Welcome To The Water Planet), 1989

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James Rosenquist’s Universal Star Leg lithograph, red splattered background with geometric shapes and a suspended stone.

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Universal Star Leg, 1974

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USD 3,200

James Rosenquist, Federal Spending (second state), etching and aquatint, features three abstract red shapes suggesting division and balance.

James Rosenquist

Federal Spending (second State), 1978

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James Rosenquist's The World Art Festival lithograph features abstract floral forms, a treble clef, and rainbow bands on a vibrant background.

James Rosenquist

The World Art Festival, 1982

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James Rosenquist's A Pale Angel's Halo (Yellow) lithograph depicts a yellow arch-like form with energetic lines on a white background.

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A Pale Angels Halo (Yellow), 1973

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James Rosenquist's Federal Spending etching features abstract purple, striped circular, and pink glasses forms on a white background.

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Federal Spending, 1978

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James Rosenquist's Miles screenprint features a blue circular explosion with text fragments over a multicolored striped background.

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Miles, 1975

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USD 2,000

James Rosenquist's Just Desert Israel 2nd State, 1979, intaglio with pochoir, features abstract geometric and organic forms in a monochromatic palette.

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Just Desert Israel 2nd State, 1979

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James Rosenquist's Tide (2nd State), etching, fragmented blue geometric forms and circular elements, set against a textured background, 1976.

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Tide (2nd State), 1976

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James Rosenquist's Swing Screen, etching and aquatint, dynamic composition with colorful circle, green shape, and triangle, 1976.

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Swing Screen, 1976

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James Rosenquist, Window Washer Glass House, mixed media print with vibrant abstract shapes and colors on Pescia Italia paper.

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Window Washer Glass House, 1978

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USD 1,450

James Rosenquist Window Washer Glass House print with dark gray abstract lines, textures, and central embossed rectangular form.

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Window Washer Glass House (black And White), 1978

Limited Edition Print

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James Rosenquist's The Flame Still Dances on Leo's Book, 1997 lithograph, shows a vivid flame rising from a book with swirling smoke.

James Rosenquist

The Flame Still Dances On Leos Book, 1997

Limited Edition Print

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James ROSENQUIST | SPOKES (green) | Etching and Aquatint available for sale on composition gallery

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SPOKES (green), 1978

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James Rosenquist The Kabuki Blushes mixed media print; bold colors, fragmented images, and textured layers creating a surreal atmosphere.

James Rosenquist

The Kabuki Blushes (from Secrets In Carnations), 1986

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USD 8,950

James Rosenquist's Certificate 1962 etching showing an arm and fist in a scratchy frame, blending abstract and photorealistic elements.

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Certificate, 1962

Limited Edition Print

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James Rosenquist's Tide etching with deep blue geometric and swirling forms, exploring the balance between technology and nature.

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Tide, 1979

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Tom Wesselmann, Monica Sitting with Mondrian, screenprint of nude figure in front of Mondrian-inspired geometric background.

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Somewhere To Light, 1966

Limited Edition Print

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USD 6,600

James Rosenquist, Black Star, etching with striped triangle, spiral, black rectangle, and pink diagonal line on paper.

James Rosenquist

Black Star, 1978

Limited Edition Print

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James Rosenquist, The Book Disappears for the Fast Student 2nd State, etching and aquatint; blue-toned with circular forms and speckled background.

James Rosenquist

The Book Disappears For The Fast Student 2nd State, 1978

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USD 1,100

James Rosenquist’s Horse Blinders (North), 1972 mixed-media print with wood grain, blue arcs, and reflective silver foil panels.

James Rosenquist

Horse Blinders (North), 1972

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USD 5,500

James Rosenquist's Alphabet Avalanche, 1979 lithograph, abstract shapes with vibrant stripes and monochrome fan linked by staircase on dark background.

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Alphabet Avalanche, 1979

Limited Edition Print

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USD 6,620

James Rosenquist Starfish serigraph with fragmented coin image, vibrant colored stripes, and Guild Hall Easthampton, New York text.

James Rosenquist

Starfish, 1974

Limited Edition Print

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James Rosenquist's Spring Cheer, 1st State, 1978 etching and aquatint, featuring red Pegasus, circular patterns, and branch with gradient oval.

James Rosenquist

Spring Cheer, 1st. State , 1978

Limited Edition Print

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USD 4,250

James Rosenquist's Spokes, etching and aquatint with red circles, multicolored lines, and an abstract orange form on Pescia Italia paper.

James Rosenquist

Spokes , 1977

Limited Edition Print

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USD 4,390

James Rosenquist Hot Lake etching with colorful abstract shapes including sunburst, striped house, and rainbow arcs, dynamic and surreal.

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Hot Lake, 1978

Limited Edition Print

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USD 4,390

James Rosenquist, Flamingo Capsule, screenprint; abstract collage with American flag, metallic textures, and vivid color gradients.

James Rosenquist

Flamingo Capsule, 1973

Limited Edition Print

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USD 18,500

James Rosenquist, High Pool, lithograph; two circles, left black with bubbles, right colorful swirl, contrasting stillness and movement.

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High Pool, 1966

Limited Edition Print

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USD 6,700

James Rosenquist, Circles of Confusion, screenprint; blurred colorful circles with GE logos and white dots on a vibrant background.

James Rosenquist

Circles Of Confusion, 1965

Limited Edition Print

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James Rosenquist, Gravity Feed, aquatint; multicolored footprints, grayscale square, and diagonal colored lines create a dynamic abstract composition.

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Gravity Feed, 1978

Limited Edition Print

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James Rosenquist, Above, lithograph; close-up of horse’s face overlaid with mechanical schematics and ABOVE in large, bold text.

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Above, 1981

Limited Edition Print

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USD 3,600

James Rosenquist's Sunglass Lens - Landing Net - Triangle, 1974 etching with geometric shapes, black radial lines, exploring perception.

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Sunglass Lens - Landing Net - Triangle, 1974

Limited Edition Print

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James Rosenquist New York Says It lithograph and serigraph with flower over New York skyline, red lines and pixel patterns intertwine.

James Rosenquist

New York Says It, 1983

Limited Edition Print

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James Rosenquist Star Ladder Second State lithograph with bird, star shape, and chaotic lines on the right

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Star Ladder (Second State), 1978

Limited Edition Print

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James Rosenquist Rails color lithograph and screenprint with fragmented design featuring lightning bolt, Japanese characters, and abstract shapes

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Rails, 1975-1976

Limited Edition Print

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James Rosenquist Pushbuttons lithograph with abstracted hands and mechanical push buttons in monochrome

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Pushbuttons, 1972

Limited Edition Print

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USD 7,500

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Forehead 2, 1968

Limited Edition Print

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USD 6,500

James Rosenquist Flameout For Picasso lithograph with red and blue sections, geometric shapes, and textured elements honoring Picasso.

James Rosenquist

Flameout For Picasso, 1973

Limited Edition Print

Lithograph

USD 4,500

James Rosenquist's lithograph My Mind is a Glass of Water, 1972, depicts a white glass with water against a blue-purple gradient background.

James Rosenquist

My Mind Is A Glass Of Water, 1972

Limited Edition Print

Lithograph

Currently Not Available

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What is appropriation?
Artwork by Shepard Fairey

What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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