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Original Etching on Pescia Italia paper, published by Multiples Inc. New York // James Rosenquist's Tide (2nd State) (1976) is a limited edition etching that exemplifies the artist's bold approach to composition and color. Printed on Pescia Italia paper and published by Multiples Inc., New York, the artwork measures 44.5 x 90.2 cm. The etching features a dynamic arrangement of fragmented geometric forms, set against a textured, blue-toned background. A prominent circular form on the right contrasts with angular, abstracted architectural shapes on the left, creating a sense of tension and movement. Rosenquist’s use of intricate lines and patterns adds depth, inviting viewers to explore the layered imagery. The interplay between solid forms and negative space gives the piece an almost cosmic or otherworldly feel, highlighting Rosenquist’s ability to blend abstraction with visual storytelling.
Tide (2nd State), 1976
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44.5 x 90.2 cm
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Details
Artists
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Original Etching on Pescia Italia paper, published by Multiples Inc. New York // James Rosenquist's Tide (2nd State) (1976) is a limited edition etching that exemplifies the artist's bold approach to composition and color. Printed on Pescia Italia paper and published by Multiples Inc., New York, the artwork measures 44.5 x 90.2 cm. The etching features a dynamic arrangement of fragmented geometric forms, set against a textured, blue-toned background. A prominent circular form on the right contrasts with angular, abstracted architectural shapes on the left, creating a sense of tension and movement. Rosenquist’s use of intricate lines and patterns adds depth, inviting viewers to explore the layered imagery. The interplay between solid forms and negative space gives the piece an almost cosmic or otherworldly feel, highlighting Rosenquist’s ability to blend abstraction with visual storytelling.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.