Hand-signed, titled, dated and numbered in pencil. Noted as Glenn 134 in the artist's catalogue raisonne.

'Rouge Pad' by James Rosenquist is an etching and aquatint measuring 57.2 × 101.6 cm, hand-signed in the margin. Three discrete visual zones run horizontally across the composition: on the left, horizontal bands of yellow, blue, pink, and red layered beneath a cluster of nail-like vertical forms; at centre, a pale lavender circle surrounded by explosive orange splatters and drips; and on the right, a tightly wound spiral rendered in red, pink, blue, and yellow. The work dates from 1978, a period when Rosenquist was moving beyond straightforward Pop iconography toward more kinetic, fragmented imagery — a shift shaped partly by the physical intensity of his monumental 1974 mural commission 'F-111'. His background in commercial sign painting informs the flat, graphic clarity of each zone, while the controlled chaos of the central burst pulls against that precision. Produced as a numbered edition, the print sits at the intersection of printmaking craft and the high-velocity visual language Rosenquist developed through the 1970s.