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// Jacob Kassay's Untitled 7/8 (La Opinión) (2013) is a lithograph that manipulates the traditional newspaper format to explore themes of perception, decay, and the transient nature of information. The mirrored presentation and distressed texture of the print result in a blurred and fragmented view of a newspaper spread, with text and images appearing reversed and partially obscured. The faded black ink and monochromatic palette give the piece an archival, aged quality, suggesting the impermanence and fragility of printed media in the digital age. This limited edition print, produced in an edition of only 2, challenges viewers to reflect on the reliability and authenticity of the media they consume, questioning how information is shaped and perceived.
Untitled 7/8 (La Opinión), 2013
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33.5 x 63 cm
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Details
Artist
Styles
// Jacob Kassay's Untitled 7/8 (La Opinión) (2013) is a lithograph that manipulates the traditional newspaper format to explore themes of perception, decay, and the transient nature of information. The mirrored presentation and distressed texture of the print result in a blurred and fragmented view of a newspaper spread, with text and images appearing reversed and partially obscured. The faded black ink and monochromatic palette give the piece an archival, aged quality, suggesting the impermanence and fragility of printed media in the digital age. This limited edition print, produced in an edition of only 2, challenges viewers to reflect on the reliability and authenticity of the media they consume, questioning how information is shaped and perceived.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.