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// Jacob Kassay's Untitled 4/10 (Radikal) (2013) is a lithograph that presents a mirrored and distressed depiction of a newspaper spread. The reversed and faded text, accompanied by distorted images, creates a visual commentary on the fleeting nature of printed media and its impact on the perception of information. The monochromatic scheme and visible imperfections—such as smudges and faded areas—add to the sense of decay and disintegration, emphasizing the ephemerality of news in the digital age. This limited edition piece, part of a small series of just 2 prints, challenges viewers to reconsider the reliability and permanence of traditional communication channels, highlighting the distortion inherent in how news is consumed and interpreted.
Untitled 4/10 (Radikal), 2013
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40 x 61 cm
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Details
Artist
Styles
// Jacob Kassay's Untitled 4/10 (Radikal) (2013) is a lithograph that presents a mirrored and distressed depiction of a newspaper spread. The reversed and faded text, accompanied by distorted images, creates a visual commentary on the fleeting nature of printed media and its impact on the perception of information. The monochromatic scheme and visible imperfections—such as smudges and faded areas—add to the sense of decay and disintegration, emphasizing the ephemerality of news in the digital age. This limited edition piece, part of a small series of just 2 prints, challenges viewers to reconsider the reliability and permanence of traditional communication channels, highlighting the distortion inherent in how news is consumed and interpreted.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
