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// Jacob Kassay's Untitled 5/7 (Le Monde) (2013) is a lithograph that reimagines a newspaper spread with a mirrored, fragmented approach. The artwork features reversed and blurred text alongside distorted imagery, creating a disjointed and unsettling aesthetic. The monochromatic tones and distressed texture give the piece an aged, archival feel, emphasizing the fleeting nature of printed media and the manipulation of information. The reversed and fragmented presentation invites viewers to question the authenticity of the media they consume, pushing them to reconsider how information is perceived and disseminated. This limited edition print, one of only 2, serves as a powerful critique of the impermanence and transformation of communication in contemporary society.
Untitled 5/7 (Le Monde), 2013
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52 x 68.5 cm
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Details
Artist
Styles
// Jacob Kassay's Untitled 5/7 (Le Monde) (2013) is a lithograph that reimagines a newspaper spread with a mirrored, fragmented approach. The artwork features reversed and blurred text alongside distorted imagery, creating a disjointed and unsettling aesthetic. The monochromatic tones and distressed texture give the piece an aged, archival feel, emphasizing the fleeting nature of printed media and the manipulation of information. The reversed and fragmented presentation invites viewers to question the authenticity of the media they consume, pushing them to reconsider how information is perceived and disseminated. This limited edition print, one of only 2, serves as a powerful critique of the impermanence and transformation of communication in contemporary society.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
