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// Jacob Kassay's Untitled 2/8 (La Opinión) (2013) is a lithograph that presents a distorted and mirrored version of a newspaper spread, exploring themes of media decay and information manipulation. The artwork shows reversed text and images, smudged and faded, creating a fragmented aesthetic that challenges the viewer's perception of clarity and legibility. The monochrome palette and distressed texture lend the piece an archival quality, evoking the transient nature of printed media and its susceptibility to distortion over time. This limited edition print, part of a series of only 2, serves as a critique of the ephemerality and manipulation of traditional news, urging the audience to question the reliability of the information they consume.
Untitled 2/8 (La Opinión), 2013
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62.5 x 62.5 cm
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Details
Artist
Styles
// Jacob Kassay's Untitled 2/8 (La Opinión) (2013) is a lithograph that presents a distorted and mirrored version of a newspaper spread, exploring themes of media decay and information manipulation. The artwork shows reversed text and images, smudged and faded, creating a fragmented aesthetic that challenges the viewer's perception of clarity and legibility. The monochrome palette and distressed texture lend the piece an archival quality, evoking the transient nature of printed media and its susceptibility to distortion over time. This limited edition print, part of a series of only 2, serves as a critique of the ephemerality and manipulation of traditional news, urging the audience to question the reliability of the information they consume.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
