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// Jacob Kassay's Untitled 2/7 (Le Monde) (2013) is a lithograph that depicts a distorted and mirrored newspaper layout. The work features reversed and blurred text alongside fragmented imagery, creating a disjointed and abstract composition. The monochromatic palette and aged, distressed texture give the piece a vintage, archival quality, highlighting the impermanence and manipulation of information in printed media. By distorting the familiar layout of a newspaper, Kassay invites viewers to question the reliability and authenticity of the media, emphasizing the fragility and transient nature of traditional forms of communication. This limited edition print, one of only 2, challenges the perception of media as a permanent and reliable source of information.
Untitled 2/7 (Le Monde), 2013
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52 x 68.5 cm
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Details
Artist
Styles
// Jacob Kassay's Untitled 2/7 (Le Monde) (2013) is a lithograph that depicts a distorted and mirrored newspaper layout. The work features reversed and blurred text alongside fragmented imagery, creating a disjointed and abstract composition. The monochromatic palette and aged, distressed texture give the piece a vintage, archival quality, highlighting the impermanence and manipulation of information in printed media. By distorting the familiar layout of a newspaper, Kassay invites viewers to question the reliability and authenticity of the media, emphasizing the fragility and transient nature of traditional forms of communication. This limited edition print, one of only 2, challenges the perception of media as a permanent and reliable source of information.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.