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Aquatint etching, printed on Somerset white satin - Image size 66.5 x 49.8 cm./ 26.2 x 19.6 inches - paper size 86.5 x 63 cm / 34.1 x 24.8 inches Hirsche by Georg Baselitz is a limited edition print from 2022 composed of four etched and aquatint panels, split between black and red ink variants. Known for his expressive and often inverted figures, Baselitz here channels raw, almost primitive energy into the linear forms of seated, antlered figures. The gestural lines verge on abstraction, yet convey a commanding, almost mythic presence. The repetition in red and black emphasizes contrasts of vitality and severity, as if alternating between blood and shadow. Produced in an edition of 50—half in red, half in black—the series reflects Baselitz’s enduring fascination with fragmentation, duality, and the visceral nature of mark-making.
Hirsche (set of 4), 2022
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86.5 x 63 cm
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Details
Artist
Styles
Aquatint etching, printed on Somerset white satin - Image size 66.5 x 49.8 cm./ 26.2 x 19.6 inches - paper size 86.5 x 63 cm / 34.1 x 24.8 inches Hirsche by Georg Baselitz is a limited edition print from 2022 composed of four etched and aquatint panels, split between black and red ink variants. Known for his expressive and often inverted figures, Baselitz here channels raw, almost primitive energy into the linear forms of seated, antlered figures. The gestural lines verge on abstraction, yet convey a commanding, almost mythic presence. The repetition in red and black emphasizes contrasts of vitality and severity, as if alternating between blood and shadow. Produced in an edition of 50—half in red, half in black—the series reflects Baselitz’s enduring fascination with fragmentation, duality, and the visceral nature of mark-making.
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Georg Baselitz
Man And Woman III (with Fir Tree), 1985
Limited Edition Print
Woodcut
Currently Not Available
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
