Details
Artist
Styles
Engraving, etching on paper // Diavolone by Enrico Baj, created in 1973, is a limited edition print combining engraving, etching, and collage techniques on paper. The composition showcases Baj's affinity for blending different media, creating a whimsical yet provocative visual experience. Dominated by a large, floral-like structure adorned with brand labels and intricate patterns, the piece stands against a neutral background. The collage elements feature playful and ironic motifs, reflecting Baj’s critique of consumer culture and society’s obsessions. Printed by Giancarlo Pozzi in Castellanza, this work exemplifies Baj’s mastery of merging texture, color, and symbolism, making it both visually striking and conceptually rich.
Generale con la sua favorita, 1978
form
Medium
Size
50 x 70 cm
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- Centimeters
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Price
- USD
- EUR
- GBP
Details
Artist
Styles
Engraving, etching on paper // Diavolone by Enrico Baj, created in 1973, is a limited edition print combining engraving, etching, and collage techniques on paper. The composition showcases Baj's affinity for blending different media, creating a whimsical yet provocative visual experience. Dominated by a large, floral-like structure adorned with brand labels and intricate patterns, the piece stands against a neutral background. The collage elements feature playful and ironic motifs, reflecting Baj’s critique of consumer culture and society’s obsessions. Printed by Giancarlo Pozzi in Castellanza, this work exemplifies Baj’s mastery of merging texture, color, and symbolism, making it both visually striking and conceptually rich.
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Enrico Baj
Catherine Henriette De Balzac D’Etrague Marquise De Verneuil, 1978
Sculpture / Object
Mixed Media
EUR 9,500
Enrico Baj
Manifesto Per La Mostra Enrico Baj, Palazzo Dei Diamanti, Ferrara, 1977
Limited Edition Print
Silkscreen
EUR 1,500
What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
