Sam Francis

Untitled, 1984

106.7 X 73 inch

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No. I, from Natural History, Part I, Mushroom (Bastian 42)

Cy Twombly Studio Lexington dry-print showing a blurred, dimly lit artist studio with chairs, desk, and canvases in soft focus

Dry-print on cardboard. Studio Lexington by Cy Twombly, created in 2008, is a dry-print on cardboard capturing the interior of his studio with a ghostly, atmospheric quality. Presented in muted tones, the photograph features blurred outlines of chairs, canvases, and a desk, evoking a quiet, almost sacred space of creation. Twombly, known primarily for his abstract painting, used photography in his later years to document personal and artistic environments. This work, part of an edition of 50, reflects his fascination with memory, impermanence, and the poetic resonance of space. The soft focus and diffused light lend the image a dreamlike, introspective character.

Artwork Copyright © Cy Twombly

Studio Lexington, 2008

form

Medium

Edition

Dry-print on cardboard. Studio Lexington by Cy Twombly, created in 2008, is a dry-print on cardboard capturing the interior of his studio with a ghostly, atmospheric quality. Presented in muted tones, the photograph features blurred outlines of chairs, canvases, and a desk, evoking a quiet, almost sacred space of creation. Twombly, known primarily for his abstract painting, used photography in his later years to document personal and artistic environments. This work, part of an edition of 50, reflects his fascination with memory, impermanence, and the poetic resonance of space. The soft focus and diffused light lend the image a dreamlike, introspective character.

Artwork Copyright © Cy Twombly

Cy Twombly

Studio Lexington, 2008

Limited Edition Print

Drypoint

EUR 4,800

Cy Twombly

No. I, From Natural History, Part I, Mushroom (Bastian 42), 1974

Limited Edition Print

Collage

GBP 12,000 - 17,000

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What is pop-art?

Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.

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