Sam Francis

Untitled, 1984

106.7 X 73 inch

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No. I, from Natural History, Part I, Mushroom (Bastian 42)

Cy Twombly Studio Lexington dry-print showing a blurred, dimly lit artist studio with chairs, desk, and canvases in soft focus

Dry-print on cardboard. Studio Lexington by Cy Twombly, created in 2008, is a dry-print on cardboard capturing the interior of his studio with a ghostly, atmospheric quality. Presented in muted tones, the photograph features blurred outlines of chairs, canvases, and a desk, evoking a quiet, almost sacred space of creation. Twombly, known primarily for his abstract painting, used photography in his later years to document personal and artistic environments. This work, part of an edition of 50, reflects his fascination with memory, impermanence, and the poetic resonance of space. The soft focus and diffused light lend the image a dreamlike, introspective character.

Artwork Copyright © Cy Twombly

Studio Lexington, 2008

form

Medium

Edition

Dry-print on cardboard. Studio Lexington by Cy Twombly, created in 2008, is a dry-print on cardboard capturing the interior of his studio with a ghostly, atmospheric quality. Presented in muted tones, the photograph features blurred outlines of chairs, canvases, and a desk, evoking a quiet, almost sacred space of creation. Twombly, known primarily for his abstract painting, used photography in his later years to document personal and artistic environments. This work, part of an edition of 50, reflects his fascination with memory, impermanence, and the poetic resonance of space. The soft focus and diffused light lend the image a dreamlike, introspective character.

Artwork Copyright © Cy Twombly

Cy Twombly

Sarajevo, 1984

Limited Edition Print

Mixed Media

Inquire For Price

Cy Twombly

Studio Lexington, 2008

Limited Edition Print

Drypoint

EUR 4,800

Cy Twombly

No. I, From Natural History, Part I, Mushroom (Bastian 42), 1974

Limited Edition Print

Collage

GBP 12,000 - 17,000

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What is lyrical abstraction ?

Lyrical abstraction is a descriptive term characterizing a type of abstract painting closely related to Abstract Expressionism, in use from the 1940s to the present. The term can also describe two distinct but related trends in post-World War II modernist painting. This art movement originated in Paris, France, after the war, emphasizing personal expression, spontaneity, and the emotional use of color and form.

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