
Screenprint in colors on wove paper. Hand-Signed, titled, dated and numbered in pencil.
'Magenta and Green' by Bridget Riley is a screen-print from 2002 measuring 108.5 × 74.9 cm. Flame-like forms in acid green and warm magenta interlock across the entire picture plane, each shape simultaneously functioning as figure and ground — the eye cannot settle on which colour dominates. The two-colour composition belongs to Riley's mature period, when she had moved decisively away from the black-and-white optical works that established her reputation and was working through the expressive and perceptual possibilities of intense colour contrast. The vertical orientation amplifies the upward thrust of the repeated forms, and the tight registration of the screen-printing process gives both hues an unmodulated flatness that heightens their mutual vibration.
Magenta and Green, 2002
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Screenprint in colors on wove paper. Hand-Signed, titled, dated and numbered in pencil.
'Magenta and Green' by Bridget Riley is a screen-print from 2002 measuring 108.5 × 74.9 cm. Flame-like forms in acid green and warm magenta interlock across the entire picture plane, each shape simultaneously functioning as figure and ground — the eye cannot settle on which colour dominates. The two-colour composition belongs to Riley's mature period, when she had moved decisively away from the black-and-white optical works that established her reputation and was working through the expressive and perceptual possibilities of intense colour contrast. The vertical orientation amplifies the upward thrust of the repeated forms, and the tight registration of the screen-printing process gives both hues an unmodulated flatness that heightens their mutual vibration.
Bridget Riley
Green Dominance, Blue Dominance, Red Dominance (set of 3), 1077
Limited Edition Print
Screen-print
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

Bridget Riley
Magenta and Green, 2002
108.5 x 74.9 cm
































