
Screenprint in colours on wove paper. Hand-signed, titled, numbered and dated.
'Carnival' by Bridget Riley is a screen-print from 2000, measuring 73 × 91.3 cm. Interlocking flame-like forms sweep diagonally across the sheet in a repeating rhythm of yellow, orange-red, and lilac — three colours that press against one another with no outlines, relying entirely on flat colour relationships to generate optical movement. The hand-signed work sits within Riley's colour period, which followed her foundational black-and-white Op Art paintings of the 1960s. From the mid-1970s onward, Riley developed stripe and curve compositions in which colour became the primary structural tool, and 'Carnival' is characteristic of this approach: the palette is warm but internally dissonant, and the diagonal cadence of the forms sustains a persistent visual vibration across the full surface.
Carnival, 2000
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Screenprint in colours on wove paper. Hand-signed, titled, numbered and dated.
'Carnival' by Bridget Riley is a screen-print from 2000, measuring 73 × 91.3 cm. Interlocking flame-like forms sweep diagonally across the sheet in a repeating rhythm of yellow, orange-red, and lilac — three colours that press against one another with no outlines, relying entirely on flat colour relationships to generate optical movement. The hand-signed work sits within Riley's colour period, which followed her foundational black-and-white Op Art paintings of the 1960s. From the mid-1970s onward, Riley developed stripe and curve compositions in which colour became the primary structural tool, and 'Carnival' is characteristic of this approach: the palette is warm but internally dissonant, and the diagonal cadence of the forms sustains a persistent visual vibration across the full surface.
Bridget Riley
Green Dominance, Blue Dominance, Red Dominance (set of 3), 1077
Limited Edition Print
Screen-print
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

Bridget Riley
Carnival, 2000
73 x 91.3 cm
































