Screenprints in colours, on wove
- Signed, numbered and dated on the front
Bridget Riley's Intervals 3 (Green/Purple) is a minimalist screen print that plays with optical perception through precise repetition and color harmony. The work features five horizontal bars composed of alternating stripes in green, purple, and soft blue hues, arranged evenly on a white background. Each stripe creates a rhythmic pattern that subtly shifts the viewer’s focus, inviting a meditative reflection on the interaction between color and form. Riley’s use of contrasting tones and geometric precision underscores her signature exploration of visual dynamics and the effects of color on perception. Signed, numbered, and dated on the front, this work is a fine example of Riley’s ongoing engagement with the principles of Op Art.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Screen-printScreen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Size
Inches
Centimeters
55.9 X 38 cm
Edition
Edition of 75
Price
7,000 – 10,000 GBP
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●Inventory 13847
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Screenprints in colours, on wove
- Signed, numbered and dated on the front
Bridget Riley's Intervals 3 (Green/Purple) is a minimalist screen print that plays with optical perception through precise repetition and color harmony. The work features five horizontal bars composed of alternating stripes in green, purple, and soft blue hues, arranged evenly on a white background. Each stripe creates a rhythmic pattern that subtly shifts the viewer’s focus, inviting a meditative reflection on the interaction between color and form. Riley’s use of contrasting tones and geometric precision underscores her signature exploration of visual dynamics and the effects of color on perception. Signed, numbered, and dated on the front, this work is a fine example of Riley’s ongoing engagement with the principles of Op Art.
Bridget Riley (United Kingdom, 1931) is a pioneering painter in the Op Art movement, renowned for her dynamic black-and-white geometric patterns and vibrant color studies that challenge visual perception. Her work is featured in major collections worldwide, including the Tate and the Museum of Modern Art.
Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.
- Bridget Riley
Bridget Riley is an English artist best known for her work in the Op Art movement. Her signature pieces explore optical illusions using geometric patterns in black and white. Though her early works focused primarily on these colors with occasional additions of gray scale tones, she included colors in her later works. Her explorations of colors led to experimentation with how colors in patterns create the sensation of movement within compositions. She was inspired by her extensive travels to include color palettes from the places she visited. Notable examples of this process include Shadow Play, an oil on canvas from 1990, which was inspired by her study of hieroglyphs in Egypt ten years earlier. Bridget Riley is also known for her murals created for museums in London, and Paris. In addition, she has written about influential artists, curated exhibits of the works of Paul Klee, Piet Mondrian, El Greco, Rubens, Paul Cézanne and many others; working with noted art historians. Riley’s 1964 painting Current was exhibited in The Responsive Eye shown at the Museum of Modern Art, New York City in 1965. This work is credited with initiating global attention to the Op Art movement. While her optical art experimentation may be her best known, she also studied the work of George Seurat and gave many notable presentations concerning how his work influenced her style. (Artist website)
Op Art is a visual art style that uses optical illusions to create the impression of movement, vibrating patterns, flashing, or hidden images. The works are typically abstract, with many well-known pieces in black and white. The roots of Op Art can be traced back to earlier movements like Futurism, Constructivism, Dada, and Neo-Impressionism, particularly in their use of color effects and graphic design.