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Screenprint in 3 colours plus white under print on Fabiano 5 paper - Signed, numbered, dated and titled on the front // Bridget Riley, About Lilac (2007) is a mesmerizing screen-print that reflects Riley's exploration of geometric abstraction and color interaction. In this piece, interlocking shapes in shades of lilac, green, and red create a rhythmic pattern that plays with perception. The repeated, jagged forms seem to move across the composition, inviting the viewer to engage with the optical effects Riley is known for. The contrasting colors, along with the precise alignment of shapes, generate a dynamic sense of movement and energy, characteristic of her work in the Op Art movement. Signed and numbered, this limited edition print showcases Riley's mastery of form and color to challenge visual perception.
About Lilac, 2007
form
Medium
Size
48.9 x 80 cm
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- Centimeters
Edition
Range
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Details
Artist
Styles
Screenprint in 3 colours plus white under print on Fabiano 5 paper - Signed, numbered, dated and titled on the front // Bridget Riley, About Lilac (2007) is a mesmerizing screen-print that reflects Riley's exploration of geometric abstraction and color interaction. In this piece, interlocking shapes in shades of lilac, green, and red create a rhythmic pattern that plays with perception. The repeated, jagged forms seem to move across the composition, inviting the viewer to engage with the optical effects Riley is known for. The contrasting colors, along with the precise alignment of shapes, generate a dynamic sense of movement and energy, characteristic of her work in the Op Art movement. Signed and numbered, this limited edition print showcases Riley's mastery of form and color to challenge visual perception.
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Bridget Riley
Intervals 3 (Green/Purple), 2021
Limited Edition Print
Screen-print
GBP 7,000 - 10,000
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.